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Carly Barnes

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Wavescape Surf Film Festival at DIFF

The 9th Wavescape Surf Film Festival at Durban International Film Festival (DIFF) celebrates almost a decade of bringing Durban an annual feast of surf culture, spearheaded by the world’s best surfing documentaries and shorts.

An outdoor screening on the lawns at the Bay of Plenty takes place on Sunday 20 July followed by five days of indoor screenings at Ster-Kinekor Musgrave from 21 to 26 July.

“Our 2014 edition features the most diverse and geographically disparate collection yet,” said Steve Pike (Spike) co-founder of the festival and editor of wavescape.co.za, who will be introducing the films.

“We have a whopping line-up of 19 films, comprising 13 features and six shorts. Of particular interest to our audience are three documentaries featuring pioneering journeys into the wave-rich but unknown wildernesses of Alaska, Russia and Patagonia. Surfers have always enjoyed the spirit of exploration and these should sate that wanderlust.”

Wavescape this year also offered subject matter ranging from gay surfing to extreme ski BASE jumping. Out in the Lineup chronicles the story of gay surfers in the US and Australia who challenge the establishment while travelling the surfing world to hear stories of transformation and hope.

The story of Shane McConkey, in the film simply entitled McConkey, chronicles the tragically heroic story of the American ski icon who evolved BASE jumping to a thrilling new level when he mixed skiing, BASE and wingsuit flying into a heady, hi-octane mix of adrenaline and acute danger.

“Geographically, the 2014 edition of Wavescape covers just about every corner of the surfing universe, with films also shot in Angola, Namibia, Mozambique, Indonesia, Spain, Portugal, Australia, New Zealand, USA, South Africa and Chile.”

“We have a strong feature documentary component, with a smattering of pure surf movies that feature cutting edge cinematic techniques, huge boosts in surfing moves and the hottest new soundtracks. These include Jordy Smith’s film Now Now, and Taylor Steele’s movie Innersection Black.”

Several films focused on women surfing, including South African professional surfer Bianca Buitendag in Disguised in Nature; world champion Stephanie Gilmore in Stephanie in the Water; and 3 Killas y un kiwi – a fascinating look at Latino professionals (and one Kiwi) from South America, Spike said.

There’s also Tide Lines, about a crew of South African surfers who sail the world collecting garbage, visiting the famous garbage gyre of the Pacific Ocean to highlight the need to conserve our oceans. The Old, the Young and the Sea covers the famous surfing routes of Europe in an eclectic mix of culture, kombis and crisp cold perfection.

“We even have a documentary about alternative rock band Switchfoot, who surf and play gigs on their 2012 world tour to Australia, New Zealand, Africa and Bali,” Spike said.

Visit the DIFF website for more information.

DIFF opening sets the tone for a captivating festival

On 17 July the 35th Durban International Film Festival (DIFF) launched with a star studded red carpet event and the premiere of Zee Ntuli’s action packed romance Hard to Get. The festival, which is a highly anticipated and pivotal cultural gathering, brought together South Africa’s major filmmaking players to honour and celebrate an industry which is growing from strength to strength.

Festival director Peter Machen delivered inspiring words which denoted the extent to which South Africa as a nation has blossomed in the wake of 20 years of democracy. He also commented on how film has the power to catalyse change and spread awareness on a number of issues the country, and the African continent at large, is facing, “Film changes us on a personal level, it changes the world too, even as the world changes.”

This sentiment is evident in the DIFF film line-up which features a number of provocative South African documentaries such as Miners Shot Down and Soft Vengeance as well as a variety of feature films that not only align with the celebration of 20 years of democracy but are rich with cultural and emotional relevance, good story-lines and impressive filmmaking techniques. One such film is the festival’s opening movie, Hard to Get. Featuring the electrifying talent of lead actors Thishiwe Ziqubu and Pallance Dladla, Hard to Get has set the tone for an engaging and impressive feast of film viewing at DIFF.

A.B. Moosa, CEO of the Avalon Group which co-founded the festival, spoke about the journey which DIFF has taken and how it was, and continues to be, a pioneering platform for diversity. He honoured “all of us who stood against the system’ and recounted DIFF’s ability to prevail, “at a time in the history of the country when other cinemas were for whites only.’

Visit the DIFF website or the Durban FilmMart website for more information on screenings, events and the ample activities happening at the festival between 17 and 27 July at venues around KwaZulu Natal.

SA shot VW spots play on Hollywood action flicks

In a new series of Volkswagen (VW) commercials, which were filmed in South Africa by UK based production company The Mob, the premise of Hollywood action films is used to demonstrate the car’s ability to keep its passengers safe.

The adverts show high-speed scenes being inadvertently disrupted by VW’s safe distance and crash prevention technology, and will feature in cinema’s in the UK.

John Brocklehurst, Managing Director and Executive Producer at The Mob explains, “They were filmed in South Africa. Because these were not traditional ads we didn’t use traditional locations. The flyover for Bus has been used in ads before but you’ve never seen an ad like this before – it was shot as a movie for the movies by a movie crew.’

The Bus commercial features a heroic attempt at stopping a hijacked bus from the bonnet of a VW, which fails due to the car’s speed reducing feature. Similarly in the Explosion advert, a man is stopped from blowing up a supply of dangerous chemicals when his VW, which he leaps from in an attempt to crash the car, detects the approaching impact and slows down to a halt.

“Explosion was shot at a deserted dynamite mine,’ Brocklehurst continues, “This was by far the most difficult location to find as the ad needed a very specific location because of the complicated stunts involved. We needed a very long run up to the building where the bad guys were stealing the dangerous chemicals. We shot each script in one day so everything had to be in one large location each day.”

The commercials were conceptualised by adam&eveDDB London, directed by Paul WS Anderson (Resident Evil, The Three Musketeers) and produced locally by Moonlighting Film Production Services.

“I can honestly say we had one of the best crews I have ever shot with. The stuntmen were phenomenal, nothing was any trouble and they moved super-quick but always safe,’ adds Brocklehurst.

Watch the Bus commercial.
Watch the Explosion commercial.

US facilities company upgrades mobile trucks with VSM

In 2014, NEP, a US provider of technical expertise, equipment and support services for various production platforms and facilities, will be equipping ten of its HD mobile trucks with Virtual Studio Manager (VSM) systems.

Created by L-S-B Broadcast Technologies in Germany, a manufacturer of control systems for radio and television production, the VSM system is an IP-based, universal control system which provides professionals in the field of production and broadcasting with a flexible and powerful solution to technical challenges.

In 2013 NEP installed a VSM in their SS22 truck and George Hoover, CTO at NEP explains, “VSM provides us a very sophisticated and efficient tool to automate and streamline routine processes in the setup and configuration of Outside Broadcast facilities. Faster setup is extremely important to our clients as it directly impact their bottom line on projects.’

Visit the NEP website or the L-S-B Broadcast Technologies website for more information.

AFDA Durban hosts holiday workshop

On 3 July from 08h30 to 16h30, The South African School of Motion Picture Medium and Live Performance (AFDA) Durban will host a series of master classes which will offer Grade 11’s, 12’s and recent matriculants insight into the film, television and entertainment industry.

Delivered by a line-up of experienced academic AFDA staff with experience in the film and live performance industries, the workshop will give participants hands-on production knowledge and will take them through the process of creating concepts for movies or TV shows and shooting actual scenes.

The workshop costs R60 and includes a light lunch but interested participants are advised that booking will work on a first-come-first-served basis.

Leading up to the workshop, AFDA will host an interview day for prospective students where they will be given the opportunity to meet with AFDA staff to discuss any course or industry queries.

For more information and booking enquiries contact 031 569 2252 or email puritys@afda.co.za.

Visit the AFDA website.

Four Corners wins Best Film at Niagara Integrated Film Festival

On 22 June South African film Four Corners was awarded Best Film at the Niagara Integrated Film Festival (NIFF) in Canada.

Director Ian Gabriel was applauded by the NIFF Award committee for putting unknown stories from South Africa’s Cape Flats on the world stage. Gabriel thanked the committee on behalf of the film’s cast for their friendship and support of independent South Africa film making, saying the “NIFF Best Film award will help Four Corners reach out to audiences everywhere.’

Distributed in South Africa by Indigenous Film Distribution, Four Corners releases across Africa via DStv’s Video on Demand Box Office in June.

SA Australian co-production to be filmed in South Africa

One, the first movie to be produced under the 2011 South African and Australian co-production treaty, is due to be filmed in Cape Town and Johannesburg in late 2014.

Directed by Australian filmmaker Murali Thalluri, co-produced and co-financed by Main Street Films, MK Create and the Kojo Group and co-produced by Cape Town-based Enigma Pictures, the film features prominent Hollywood stars Djimon Hounsou (Blood Diamond) and Alexis Knapp (Pitch Perfect).

“I can’t wait. I’m coming soon. I’m looking forward to making another film in South Africa,’ said Hounsou.

One features the story of different ethnic groups who go against each other in the search for a cure to a virus which has left the world devastated. When doctors discover a woman who is immune to the virus, she is captured and becomes the world’s greatest hope.

Tshwane One City Film Festival celebrates African cinema

From 10 to 14 August 2014 the South African State Theatre in Pretoria will host the first edition of the Tshwane One City Film Festival, which aims to celebrate African cinema from around the world.

Basil Dube, festival founder and director says, “Our mission is to consolidate and further support the development of the South African film industry by creating a vibrant platform for networking and exhibition.’

Tanya Kersey, a US filmmaking career coach and founder of the Hollywood Black Film Festival, will be in attendance to deliver a series of workshops geared at local writers, producers and directors.

“We are indeed honoured to host such a high profile personality who has worked with some of the worlds’ most celebrated movie stars including Morgan Freeman, Angela Basset and Samuel L Jackson,’ says Dube.

Supported by the South African State Theatre, GMP Productions and the Federation of Pan-African Filmmakers, the festival will feature a line-up of African documentaries, short films, music videos, and feature films.

Contact Dube on 012 753 3428 or 071 502 0564, or via email at basidube5@gmail.com for more information.

Cape Union Mart Adventure Film Challenge final call for entries

Entries for the Cape Union Mart Adventure Film Challenge close on 30 June 2014, giving filmmakers just one more week to submit their South African outdoor culture and lifestyle films for the chance to win a R10, 000 cash prize, R2, 000 worth of K-Way gear and the opportunity to have their film feature in the Banff Mountain Film Festival World Tour.

Both amateur and professional filmmakers are invited to submit their five-minute films on topics like mountain culture, sports and the environment but Nick Bennett, Marketing Manager for Cape Union Mart and K-Way, adds that judges will be looking for more than extreme adventures and stunts. “It’s all about the story for us. That’s more important than technique, special effects or the type of equipment used to make the film. We’re looking for films about people, their personalities, the places they visit and their activities and experiences… these capture the essence of the outdoor and adventure lifestyle that is so quintessentially South African.”

The film Vultures Chose Me, shot and directed by Michael Raimondo, won the 2013 challenge and was commended for having a strong story which creatively incorporated paragliding in telling of the work by the Vulture Conservation Project (VulPro). Raimondo offers some advice to participants: “Don’t write a script. The story is key, so go and find something interesting. It doesn’t matter what fancy equipment you have, the most important thing is to find an authentic engaging character. Try and capture someone doing something for the first time. Stories are everywhere. Especially in South Africa we are spoilt for choice”.

Entrants are required to upload their videos to YouTube, and include the link to their submission in the entry form.

Visit the Cape Union Mart Adventure Film Challenge website for competition terms and conditions as well as more information.

Visit the Banff Mountain Film Festival World Tour website for more information.

View Vultures Chose Me film.

Al Jazeera releases a statement on journalists’ guilty trial verdict

Three Al Jazeera journalists; Mohamed Fahmy, Baher Mohamed and Peter Greste were arrested in Cairo on 29 December 2013 after being accused of working with the Muslim Brotherhood group. On 23 June, after spending 177 days in jail, they were put on trial and given guilty verdicts. Greste and Fahmy were sentenced to seven years and Mohamed was sentenced to 10 years in prison.

Al Jazeera has maintained that their staff is innocent and English Managing Director Al Anstey has released the following statement:

“Today three colleagues and friends were sentenced, and will continue behind bars for doing a brilliant job of being great journalists. “Guilty’ of covering stories with great skill and integrity. ‘Guilty’ of defending people’s right to know what is going on in their world.

“Peter, Mohamed, and Baher and six of our other colleagues were sentenced despite the fact that not a shred of evidence was found to support the extraordinary and false charges against them. At no point during the long, drawn-out ‘trial’ did the absurd allegations stand up to scrutiny. There were many moments during the hearings where in any other court of law, the trial would be thrown out. There were numerous irregularities in addition to the lack of evidence to stand up the ill-conceived allegations.

“There is no justification whatsoever in the detention of our three colleagues for even one minute. To have detained them for 177 days is an outrage. To have sentenced them defies logic, sense, and any semblance of justice.

“The support shown for Mohamed, Peter, and Baher has been loud, unified, and determined, and has come from every corner of the world. The call for their freedom has come from journalists, people right around the globe, as well as leaders worldwide. This great solidarity is a stand for basic freedoms – the freedom of speech, for the right for people to be informed, and for the right for journalists around the world to be able to do their job. And, of course, a demand to free our colleagues.

“There is only one sensible outcome now. For the verdict to be overturned, and justice to be recognised by Egypt. We must keep our voice loud to call for an end to their detention. Alongside us is a worldwide solidarity, a global call for their release, and a demand for basic freedoms to be respected. The authorities in Egypt need to take responsibility for their actions, and be held to account by the global community.

“We will continue with resolve and determination until Baher, Peter, and Mohamed are free and safely reunited with their families.’

Visit the Al Jazeera website for more information.

Watch a video on the #FreeAJStaff campaign.

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