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Triggerfish Animation Studios Press

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Triggerfish Animation is Africa's leading character animation studio & the producers of 'Adventures in Zambezia' & 'Khumba'.

Triggerfish plans for a five-film slate

Cape Town-based Triggerfish Animation has secured funding that will be used to
develop the first phase of five new animated feature films, expansion of the studio’s
digital department and exploration of new concepts, apps and games.

Jean-Michel Koenig, CFO of Triggerfish, secured the deal with Business Partners’
Venture Fund, a specialist risk finance company for formal small to medium
enterprises in South Africa and select African countries.

Says Koening: “We are very pleased with the confidence Business Partners has
placed in us as we look to invest further into our development slate.’

Based on the success of previous films, Adventures in Zambezia (Sony International
Acquisitions) and Khumba (Millennium Entertainment) work on two films
selected to go into development, Here be Monsters and Seal Team (working titles),
has already begun.

The company’s first venture into animating human characters begins with Here Be
Monsters, a story of a boy and a sea monster. Written by Raffaella Delle Donne, who
worked on both of Triggerfish’s previous films, the movie was selected for the
Creative Focus pitch at the Annecy International Animated Film Festival in France.

The script for another animated feature, Seal Team, is currently being written by
Brian and Jason Cleveland of CMG who handled world sales on Triggerfish’s previous
films. The action-comedy features a group of Cape fur seals going up against their
natural enemies: great white sharks.

Triggerfish aims to release one film a year starting in 2016, with a focus on producing
movies with universal messages for all ages.

Visit: www.triggerfishstudios.com for more information.

Triggerfish at WGSA session in Cape Town

Triggerfish producer Stuart Forrest will be presenting an information share session about their full-length animated feature film Zambezia in Cape Town on 12 May. The event is organised by the Writers’ Guild of South Africa (WGSA).

Zambezia features the voice talents of Samuel L. Jackson, Leonard Nimoy, Jeff Goldblum and Abigail Breslin. Forrest will be talking about the development process, writing for animation, taking the film to Cannes and getting international distribution.

The session will be from 9.30am to 1pm at Triggerfish Animation Studios at The Long House, Dreyersdal Farm, Dreyersdal Farm Road, Bergvliet, Cape Town.

Only 40 attendees can be accommodated, so potential attendees are advised to book in advance.

Entrance is R10 for WGSA members and students (with a valid student card) and R30 for non-members. All LAMP and SASFED affiliates enter at membership rates.

All bookings must be done through admin@writersguildsa.org.

Triggerfish selected by US co for series

Studio 125, a production company from Alabama, has selected Cape Town-based Triggerfish Animation to work on a 14-minute episode children’s series, Me and Jessie D. Triggerfish recently completed the series.

The episode, entitled Fish Fry, is the second in the series which follows the antics of a group of animal friends living in the swamps of the deep South. Although the show is rich in idiosyncratic Southern culture, the US producers were delighted with the South African team’s interpretation of the expressions and body language of the eleven different characters.

The decision to produce in South Africa is part of a growing trend as international producers recognise the coming-of-age of the fledgling SA animation industry, says Stuart Forrest, producer at Triggerfish. With the sliding Rand and high production values for low cost, South African animation companies are quickly becoming more attractive to overseas producers.

In 2007 Triggerfish produced 30-minutes of animation for the direct-to-DVD film The Rise and Fall of Tony the Frog, an episode in a successful children’s animation franchise, Life at the Pond. The DVD has been widely seen in the US and has set a benchmark standard for South African low cost animation, which directly led to the commissioning of Me and Jessie D.

“Because we are the new kids on the block, we have a brand new way of managing our production pipeline which is unencumbered by traditional top-heavy production techniques,’ says Forrest. “We’ve been able to concentrate most of the funding on the actual animation, and have stripped away layers of management and committee decision-making. We’ve also developed our own in-house management software which is specifically tailored to our workflow – so approvals, revisions and renders are smoothly handled with maximum efficiency.’

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