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Talent-ETC adds new divisions to become one-stop shop

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Talent-ETC Artist Management is one of the country’s leading artist management agencies, providing a unique and professional management service to a large number of South African performing artists with placements in international and local film, television and theatre productions as well as a number of other opportunities that fulfill their skill sets (commercials, voice-overs, etc).

Now the Talent-ETC team of Precious Magoswana, Eben Brink and Shalock Rass – led by MD by Rojean Serek – has extended its offering with the recent development of Crew-ETC, a division where technical crew and other creatives have the opportunity to be represented by the ETC brand.

Headed up by Frankie Opperman, Crew-ETC has on its books a number of specialists in their various fields, including camera operators, directors, makeup and wardrobe professionals, sound operators and production and post-production experts.

Says Serek: “I realised it was time technical and creative crew members were given the same opportunities that Talent-ETC gives our performers, by finding the right opportunities and platforms and connecting their talent to the industry.

“Frankie was just the person with the needed and necessary skill set to take on this task and head up the division.”

Adds Opperman: “Producers and broadcasters can now, not only find the talent that they are looking for in front of the camera, but also get those creatives working behind the scenes to make it all happen, at Talent-ETC.”

One of the standout features of Crew-ETC is that it will also feature new categories of crew members including an intimacy coordinator, which is a recent requirement implemented on film and television sets that feature any sort of intimate content.

Along with Crew-ETC, Talent-ETC is also building the brand by joining up with production company, Life in a Bulb Productions, and creating a third leg of the ETC brand, namely Life-ETC.

This partnership was developed when owner and CEO, Jennis Williamson saw an opportunity to streamline the company’s services further, via the means of connecting Talent-ETC artists and Crew-ETC members to a team of producers who have the willingness and the wherewithal to spend time and effort developing fresh talent and new concepts. And so Life-ETC – headed up by JC Snooke – was born.

Concludes Serek: “Talent-ETC, together with Crew-ETC and Life-ETC, is evolving the ETC-brand into a truly unique one-stop shop for the world of TV, film and online content.”

For more on Talent-ETC and Crew-ETC visit https://talent-etc.co.za

Brenda Fassie, Lucky Dube and Vusi Khumalo featured on She is King soundtrack

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The official soundtrack to the upcoming Gersh Kgamedi movie has been released and
the track list is sure to be a hit with local music fans. The She is King album
features songs from big stars including Brenda Fassie, Lucky Dube, Vusi Khumalo,
Simpiwe Dana, PJ Powers, Joseph Shabalala, and more, as well as hot new tracks by
Gugu Zulu and Mandisa Nduna. The film opens in cinemas on 1 December, just in time
for the holiday season.

She is King, a musical celebration of Zulu culture, stars Khabonina Qubeka,
Khanyi Mbau, Mandisa Nduna, Aubrey Poo, and the fresh-faced Gugu Zulu, to name a
few. Directed by Gersh, it presents the City of Gold as the African Broadway, and tells
the story of Khanyisile (Gugu Zulu), a talented young singer, dancer and actor who
wants to be a star.

Khanyisile travels from her home in Nongoma, KwaZulu-Natal, to audition for a
musical to be staged at the Joburg Theatre, based on the life of powerful Zulu Queen
Mkabayi ka Jama – Shaka’s aunt. She played a major role in Zulu history, deposing
various kings and helping them ascend to the throne at a time of great historical
importance to the Zulu nation.

A showcase for some of the best South African music, the film includes songs by
international stars like Ladysmith Black Mambazo, Juluka and Brenda Fassie, as well
as a number of traditional Zulu musicians.

The first single, a revamped version of Brenda Fassie’s hit “Higher and Higher’, sung
by Gugu Zulu and Mandisa Nduna, dropped early in November. Talented singer,
songwriter and actress Gugu Zulu made it to the Top 16 of Idols SA this year and is
also known for her role as Nandi in e.tv’s The Alliance. Uber cool rapper
Mandisa Nduna is an award-winning stage, film and television actress who rose to
fame in the film Between Friends, and is also known to television audiences
as Thuli in e.tv’s Hustle.

The second single from the album, also by Nduna and Zulu, is available for download
online. Other notable tracks include Simphiwe Dana’s “Iliwa Lam’, Gugu Zulu’s
“Scamtho’ (composed by Vusi Khumalo), and “Too Irie’ by Mo’faya feat. Jahzo,
originally composed by Lucky Dube and remixed by K Muambadzi. The film also
features some great tracks by DJ Shimza (“Party ka Shimza’), flamboyant singer
Moonchild (“Mr Chow’) and hip-hop star Ifani.

“We are excited about the soundtrack as it brings together a wonderfully diverse
range of local talent, both old and new,’ says director Gersh. “With a strong focus on
talented young women, the soundtrack is a fresh take on some of the best South
African music has to offer.’

She is King had its premiere on 26 October at the Joburg Theatre. Packed
with celebrities, the red-carpet event proved to be a hit with music and movie fans
who came out in all their finery for the glitzy evening.

The film was made with the support of the Department of Trade and Industry (the
dti), M-NET, Indigenous Films and the Gauteng Film Commission (GFC), and will be
distributed in South Africa by Indigenous Film Distribution. It opens nationwide on 1
December.

Look out for the soundtrack which will be released on 29 November by Gallo.

Potato Potahto heads to cinemas in Nigeria, South Africa and Ghana

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Following a series of successful screenings at multiple international festivals, West
African romantic comedy Potato Potahto will kick off its cinematic release
across the African continent this November. Potato Potahto opens in Nigerian
and South African cinemas on 24 November, and makes its way to Ghanaian screens
on 30 November.

Directed by award winning Ghanaian filmmaker Shirley Frimpong-Manso; the film
stars OC Ukeje, Joselyn Dumas, Joke Silva, Blossom Chukwujekwu, Chris Attoh, Lala
Akindoju, Adjetey Anang, Victoria Michaels and Nikki Samonas. The movie tells the
story of a divorced couple whose plans to share their matrimonial home results in
chaos after the husband, Tony, brings in an attractive female house help. When his
ex-wife, Lulu, then hires an attractive young man to help her out, a roller coaster ride
of laughter, jealousy and tears ensues.

Director Shirley Frimpong Manso reflects on the film’s journey; “It has been a
whirlwind taking our labour of love across the world. I have truly been overwhelmed
by the universal acceptance of the movie, the unusual storyline and our incredible
cast; I look forward to when Potato Potahto finally hits the cinemas.’

For South African filmmaker Bonginhlanhla Ncube, more African filmmakers
should adopt Potato Potahto’s unique form of pan-African collaborations. “This
collaboration is a true representation of Africans coming together and saying, “we own
this space, our continent, our people,’ let’s serve them and tell those African stories-to
our people.’ Mr. B attended the Cannes Film Festival premiere of the film and
immediately invited the producers to release the film in South Africa, his production
company Sukuma Media which released the action comedy flick, Safe Bet
(2016), is actively involved in the South African release.

Producer Inya Lawal is ecstatic about the movie’s upcoming cinematic release; “We
have taken Potato Potahto round the world to an incredibly warm reception,
we cannot wait to bring it to cinemas home in Africa, this is just the beginning!” she
explained.

Potato Potahto has two Best Feature Film awards and has been screened to
rave reviews at the Cannes Film Festival, the Durban International Film Festival, the
British Urban Film Festival, the Silicon Valley African Film Festival and the Baltimore
Internaional Black Film Festival. It was the first Nollywood film to screen at the
Chelsea Film Festival and it heads to the American Film Market, Film Africa Festival (in
competition) the African International Film Festival and the Toronto Nollywood
International Film Festival in November.

Potato Potahto releases in cinemas exclusively to Ster-kinekor on 24
November 2017.

Potato Potahto is a co-production of Ascend Studios, 19 April Entertainment,
Virgo Sun Ltd., Lufodo Productions and WB Entertainment.

Q&A with Jaime Ondarza, senior vice president for Turner Southern Europe & Africa

Turner, one of the world’s leaders in media entertainment, proudly announced its partnership with Africa Animation Network (AAN) for the FupiToons Film Festival, Africa’s first “made in Africa’ animated film festival aimed at kids under 12-years-old, hosted in partnership with Ster-Kinekor. Turner will premiere its four Cartoon Network Imagination Studios shorts at the FupiToons Film Festival which will run parallel to DISCOP Johannesburg 2017, taking place from 27 to 29 October 2017 at Ster-Kinekor, The Zone, Rosebank.

Why did Turner decide to partner with African Animation Network?

Cartoon Network holds the number one spot within the kids TV segment across Africa*and enjoys a strong following on the continent. We continually strive to create a viewing experience that resonates with our African audience. As part of our localisation strategy, Turner is putting its weight behind Africa’s growing animation industry in Africa, and there is no better way to do that than partner with one of the biggest players in local animation, African Animation Network (AAN).

Turner has been on a journey with AAN for the last year, starting with us partnering with them at DISCOP 2016 to sponsor the Animation Lounge and the Turner Kids’ 2016 Animation Pitching Competition where we invited African producers and storytellers to pitch children’s programming properties to a panel of local and international industry experts. As part of our partnership with AAN, we were exposed to some really inspiring local animation projects.

The 2016 competition saw Punch Monkey Studios named winner of the Turner Pitching Competition through their animation series project, Cloud Life, a heartening tale of reconnection between a dot.com-era corporate evil genius and his protagonist daughter. We were really impressed by Punch Monkey Studio’s amazing creative energy and made the decision to partner with them to write the scripts for the one-minute shorts of the competition winners from each of the four categories of this year’s Cartoon Network Imagination Studios competition.

Cartoon Network’s Imagination Studios, was created to inspire, motivate and celebrate the wild imaginations of children between the ages of six and 12-years-old, allowing them to conceptualise and create their very own Cartoon Network friendly character duo, similar to the ones found on Cartoon Network. The first place competition winners, from each of the four categories, will now get to see their animated creations live on TV on Cartoon Network.

Taking a step away from using our internal production capabilities to bring the winning drawings to life, we decided to continue building on our localisation strategy and through our partnership with AAN, we contracted with the Pan-African production company MyChild TV, who acted as the executive producer, coordinating all parties involved in the completion of our Imagination Studios shorts. MyChild TV, along with Punch Monkey Studios, Mindseye Creative and the local voice over artists, did an amazing job at injecting local African flavour into our first locally produced animated shorts which will premiere at the FupiToons Film Festival.

What exactly is Fupitoons and what is the desired objective of the festival?

We are excited to premiere our winning animated shorts of the Imagination Studios competition winners from each of the four categories at the FupiToons Film Festival, where we have once again teamed up with African Animation Network (AAN) and Ster Kinerkor.

FupiToons is Africa’s first kid-friendly animated short film festival which will run concurrently with DISCOP Johannesburg 2017. The name FupiToons is derived from the Swahili word “fupi” meaning short. FupiToons is an animated short film festival dedicated to screening a 90-minute block of 25 various animated shorts selected from all over Africa. The Festival will have four screenings as a launch this year; perfect for 6-12 year olds, but with exciting potential and expansion plans to open this up to other age groups in the future.

The inaugural festival will take place at the Rosebank Nouveau Theatre in Johannesburg from 27 to 29 October, with an Industry Premiere night on Thursday, 26 October.

How does Turner, in collaboration with AAN, propose to elevate the role and
visibility of African animation?

This collaboration has reinforced our investment into localising content and our commitment to further mentor the African animation industry. Through the African Animation Network (AAN) partnership, we hope to open network platforms for animation professionals and national associations from across the African continent to communicate ideas, forge connections, foster collaboration, build pipeline and generate capacity, and in so doing, propel the African animation industry forward. We hope to offer Africa’s finest talent across animation, copy writing, post production and audio creation the chance to access the industry and target audiences directly, as well as provide quality material to the local markets, thus endeavoring to build a sustainable African animation industry.

In addition to the four Cartoon Network Imagination Studios shorts set to
screen at the Fupitoons Festival, are there other local animation productions screening at the festival?

The four winning Imagination Studio animated shorts are:

LLAMA DRAMA
– Pete and Mac – the Best Detectives in Town by Maia Janse, 11-years-old from South Africa. Mrs. Trunket has lost her most valuable possession. What is it? Where is it? Leave it to Pete and Mac, the world’s greatest llama detectives, to “crack” the case.

SMARTER PHONES – Appside Town! by Zoe-Jane Mans, 9 years old, from South Africa. If you’ve ever wondered whether banana peels are really that slippery, watch Robo and Tekna journey to the source code to find the truth and settle their bet before Dad finds out

THE GREAT ESCAPE – Adventures of the Talking Pizza by Dida Bafor, eight-years-old, from Nigeria. John and Lizzy are siblings who happen to be pizza slices. When they find themselves in a dark box, there’s only one thing on their minds: escape! And salami. Okay two things – escape and salami.

THE DODDLE DUO – Attach of the Slug Monster by Katlego Khambule, 10 years old, from South Africa. When a giant slug monster moves in on their city, Dash and Diana argue over which creative superweapon will save the day – cannonballs or cupcakes. Wait, do hugs count as a superweapon?

A total of 114 short animated films were submitted to FupiToons this year. These short films were submitted from across the African continent with submissions coming from; Nigeria, Ghana, Kenya, Egypt, South Africa, Ethiopia and Burkina Faso. FupiToons will be screening 25 of the 114 animated shorts submitted from all over Africa in the 90-minute block.

What is the importance of grooming African youth in the art of animation and how does Turner and AAN hope to support this outside of Fupitoons and Cartoon Network Imagination Studios?
Our partnership with AAN is a demonstration of how we are strengthening our presence across the continent, and building our local production strategy to create content that is both relevant and engaging for our African audiences. Developing local content is at the forefront of our plans for the region but we cannot do it alone as local insights are critical to tailored content that is responsive and relative to local audiences.

Following the success of Cartoon Network’s Imagination Studios, Turner is considering creating an Imagination Studios block which will be used to air local projects created in Africa on Cartoon Network Africa. This programming block will be the continuation of the creative lab we initiated this year, bringing more local content to more fans and audiences, on more screens across Africa.

How important is it to be present at DISCOP markets? What are you looking
for during the 3-day market?

DSICOP is an industry recognised platform that helps us to strengthen and build relationships with existing and potential buyers, and marketing and distribution partners. It is also a good place to identify emerging local talent to collaborate with on new projects.

This year, Turner is delighted to continue its partnership with The African Animation Network to sponsor the Animation Village, which was piloted as The Animation Lounge at DISCOP Johannesburg 2016, together with MIFA Annecy International Animated Film Festival. We’re extremely excited to host delegates from across the continent representing the widest diversity of the African animation industry and in line with the mantra “Made in Africa”.

Submissions open for the 20th Encounters South African International Documentary Festival

Submissions are open for the 20th Encounters South African International Documentary Festival, taking place from 31 May to 10 June 2018.

The organisers of Encounters are calling for feature, mid-length and short documentary film entries from South African and international filmmakers for the 2018 edition of the festival.

A submission fee of USD15 is charged for international entries. African film submissions are exempt.

Awards
– Audience Award for Best South African film
– Audience Award for Best International film

Please note that the festival does consider works in progress / rough cuts if your film will be ready in time for the festival itself (31 May to 10 June 2018).

The deadline for submissions is 1 March 2018.

For South African/African submissions click here.

For international submissions click here.

Postponement of Joburg Film Festival 2017

The Joburg Film Festival (JFF) has announced that it will be postponing its second showcase that was scheduled to take place from 20 to 28 October 2017.

According to JFF director, Tim Mangwedi, the curatorial team took the decision to postpone this event in order to create a self-sustaining entity. “As an event primarily supported by the City of Joburg, the closure of the City’s Film Office directly impacted the festival,” said Mangwedi.

“With the support of all the relevant role-players, we continue to be committed to providing an exciting and progressive platform where South African and African excellence in cinematography can be showcased and rewarded,” he added.

Sincere apologies are conveyed to the entire film fraternity, partners and sponsors. The tentative dates set for the Joburg Film Festival are 26 October to 3 November 2018. All information portals shall remain open in the meantime.

DISCOP Johannesburg: The place for content ‘Made in Africa’

As African-produced content continues to draw the attention of distributors and
content aggregators from Sub-Saharan Africa, as well as abroad, DISCOP
Johannesburg 2017 has seen a significant rise in the number of registered African
content producers, as well as interested buyers.

With revenue from Africa’s pay-TV sitting at $4.4 billion and expected to exceed $6
billion by 2021, the time is now to continue the momentum of content production as a
significant economic booster for African economies.

African produced content rightfully took its place centre stage last year at DISCOP
Johannesburg with 267 of the 347 production houses in attendance hailing from
Africa, an increase from 193 in 2015.

With a total of over 10 000 hours of original programming presented by 300+ global,
regional and local content distributors and producers, from 60 countries, delegates at
this year’s event will notice the abundance of content produced in Africa on offer.

This year, of the nearly 1 000 registered delegates there are representatives from 32
sub-Saharan African countries:

• # of Independent Producers from Sub-Saharan Africa | 212
• # of content acquisitions executives from Sub-Saharan Africa | 225
• # of content distributors from Sub-Saharan Africa | 128
• # of companies selling content ‘Made in Africa’ (so far) | 287

Major players such as XXX as well as dozens of independent producers will be in
attendance.

These producers and distributers will be presenting their content to international
buyers from across the globe including, Fox, NBC Universal, Viacom, Disney, Canal +,
CBS, LionsGate, DreamWorks and Cote Ouest amongst others.

African broadcasters are also now, more than ever, looking for African content, and a
host of top African broadcasters, streaming networks and content aggregators are
registered to attend, including Africa TV Kinshasha, Kana TV Ethiopia, Ghone
Television Ghana, Radio Television Burkina Faso, Botswana Television, M-Net Africa
Magic Nigeria, Kwese TV, Showmax, Mnet, SABC South Africa, e.tv South Africa,
Showmax, and RTI Cote d’Ivoire amongst others.

Close to 250+ international, regional and local suppliers and producers of film,
television and digital content, adaptation rights and packaged TV channels will be
attending DISCOP Johannesburg with more than 10 000+ movies, limited and
episodic TV series, dramas, animated and educational content, formats,
documentaries, and much more. They will exhibit across a 5 000 SQ. metre market
floor at the Sandton Convention Centre.

Running parallel to the market and open to all registered delegates, The Next Gen
Programme
will feature speakers and experts from major corporations, smaller
companies and select start-ups, both onstage and in carefully constructed discussions
and workshops.

The Next Gen Programme will specifically target film, television and digital
content producers and help improve pitching, networking and business skills. It will
guarantee access to indispensable information on alternative distribution and funding
opportunities; on virtual reality content production, funding and distribution; on
expanding relations between Francophone and Anglophone Africa.

The programme will also put under the spotlight, Ethiopia, a country with a population
upwards of 100+ million; animation, Africa’s fastest-growing and most creative
content production and distribution segment, and the new global streaming services
and their impact on homegrown original content production.

The CTIFM&F connects Africa and the world through film

The Cape Town International Film Market and Festival, taking place from 12 to 21 October at the V & A Waterfront will be not only a celebration of film, but also is the start of a collaborative project aimed at driving the growth of the local film industry.

As a wholly independent festival, managed, funded, and operated by a small and diverse team of industry professionals, the aim of both the Market and the Festival has been to focus on the positive elements within the industry and to work towards a collaborative and inclusive approach.

The team behind the Festival reflects this aim and includes a diverse group of young managers. They are supported by more experienced working industry professionals including CEO Nazeera Hartly Roach, and marketing director Jehad Kasu.

Kasu says this about the team, “I think it’s worth mentioning that the company has a female CEO of colour who is the anchor of our team. I think it makes a bold statement about the transformation of ownership of businesses in the country. Additionally, many of our management team are young people of colour and we have made a committed attempt to use small black-owned businesses as suppliers. We are committed from our own personal experience to reach out to communities locally and further afield.”

Executive chairman Rafiq Samsodien is a local home-grown filmmaker. From humble Cape Flats beginnings, Samsodien was nominated for an Oscar for the 2013 short film Asad.

“I am glad that the Festival has produced so many discussions about the state of the industry,” says Samsodien. “Our aim is to be as collaborative as possible, and to be just one of the many positive projects that drive our industry forward. As a filmmaker, and specifically as a filmmaker from Cape Town, I understand the challenges that are out there, and together with a small and dedicated team, we are attempting to create a platform that will continue to develop, evolve, and ultimately, serve the needs of the industry as a whole. We invite people to join us in this process, with both positive and critical feedback, as the most important thing is to be part of the collaborative solution.”

The CTIFM&F programme includes both industry and public focused events, all produced with the aim of igniting conversation that pushes forward the development of the local film industry. The four-day business-driven expo is focused on the smaller support services that drive the film industry locally, with a complimentary schedule of industry events that includes local and international film industry professionals.

A host of additional local and international filmmakers and industry professionals have been added to the schedule of panel discussions and workshops, including Maynard Kraak (South African producer and director), Lee Ann van Rooi (Africa Academy Award Support Actress Nominee), Akin Omotoso (Nigerian director and actor), and Mapumba Cilombo (composer and director).

Additionally, the CTIFM&F has invited top international professionals to share invaluable experience and insights that will benefit all local producers and industry professionals.

The festival is excited to host Aron Warner on the programme as one of these guests. Warner, who won an Academy Award for Best Animated Feature as the producer of Shrek, and who featured as the voice of the Big Bad Wolf in the film, can teach delegates about Oscar-winning animation as well as voice artistry. He is in a position to help delegates commercialise their projects.

The CTIFM&F has also shown a commitment to addressing two of the biggest needs in the industry: distribution and funding. The workshop schedule includes these important sessions: Performers/Actors Forum, moderated by Colin Daries, that focuses on building sustainable careers for artists and creatives, and a session on Growing Film Economies, hosted by Justin Grey, as well as workshops focused on the Art of Pitching.

Building bridges across Africa is also essential to the local industry and the CTIFM&F has reached out to filmmaking communities from across Africa with delegations from a host of countries attending the event and sharing their experiences. These will include Cameroon that will be represented by a host of filmmakers and producers while Kenya’s Tilo Blythe from Whatsgood Studio will also be running a workshop on creating content for multi media platforms. Egypt’s Azza El Hosseiny from the Luxor Film Festival will also take part in the discussion on Film Festivals.

In the ten days of film screenings of the Film Festival of a range of incredible international films, there is also host of South African films. These include the world premiere of District Six: Rising from the Dust, by local filmmaker Weaam Williams, the world premiere of Woodwind, the extraordinary work by Fin Manjoo, as well as the world premiere of Liana Hassim’s Gracie.

The South African premiere of Kagiso Lediga’s Matwetwe will take place hot-on-the-heels of its world premiere in the US. These and other premieres will all have the directors in attendance hosting Q&A’s after the screenings.

Other South African films to be screened include Ndamu Farisani’s Make Up and Cigarettes, Puleng Stewart and Jannous Aukema’s Until the Silence, and Jesse Brown’s Post amongst others.

The 12th annual SAFTAs call for entries is now open

The call for entries for the much anticipated 12th edition of the South African Film and Television Awards (SAFTAs) brought to you by Mc Cafe is now open! The film industry is encouraged to submit their entries on the SAFTAs website, the closing date is 16 October 2017.

The SAFTAs, managed under the custodianship of the National Film and Video Foundation (NFVF), an agency of the Department of Arts and Culture, are an integral part of the growth, skills development and transformation of the industry. The awards are guided by the SAFTAs committee comprising of SABC, DSTV, eTV, StarSat, the Cultural and Creative Industries Federation of South Africa (CCIFSA) and the South African Screen Federation (SASFED).

“It is crucial after each edition of the SAFTAs to introspect and seek possible ways to modify the awards for continuous improvement. Following the SAFTAs 11 post review meetings with the Adhoc and SAFTAs committees, the categories were workshopped and reduced. The objective is create consistency and uniformity that reflects the South African film and television industry.’ said NFVF CEO, Ms Zama Mkosi

The total number of awards has been reduced to 80 plus the four discretionary awards, totalling 84 awards.

Key changes:
• Documentary short will now be treated like the short film award, and will only be awarded best of genre.
• Wildlife Programmes will also not have sub categories, and will only be awarded best of genre.
• Magazine shows and Variety shows will be a combined award, the Best Magazine and Variety show.
• Telenovela is a growing genre in SA and for this reason, the genre will be awarded its own best of genre, so there is now an award for Best Telenovela separate from the Best TV Soap.
• In the Telenovela category, cinematography has been included.
• The two will be combined when competing for the public vote of Most popular TV Soap including Telenovelas as well as the sub categories.
• Removed awards:
o Best Sports Show, this award has consistently not received enough entries.

Director Joseph Oesi’s Black Lives Matter heads to Canada

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Black Lives Matter, the powerful and damning indictment on the current state
of affairs for tens-of-thousands of miners working and living in abysmal conditions
across South Africa, has been selected to screen at the Montreal International Black Film Festival and has been nominated in the Best Documentary Feature Category.

The film was screened last year at the Durban International Film Festival and is an
honest portrayal of the reality of life on the mines. The film puts the Canadian based
mining firm Ivanhoe in the spotlight, taking the Marikana Massacre as its starting
point, but digging deep into the history of the mining sector as well as the political
backstory that led up to the tragedy.

Director Joseph Oesi, a South African filmmaker and TV journalist, was moved to
produce the film after witnessing the devastating events of 16 August 2012 play out
on TV screens across South Africa and the world. Oesi knew that this event was the
manifestation of a much larger story that was taking place, not just in South Africa,
but across the continent. Oesi knew that this event was the manifestation of a much
larger story that was taking place, not just in South Africa, but across the continent.

He explains his motivation for making the film: “South Africa has certainly set a
course, fuelled by a betrayal to the original course set by the original struggle heroes
and to the Freedom Charter. Mining, at the heart of the country’s economy, has
underpinned the course in the interest of big business. In essence the struggles,
sufferings from Colonialism and Apartheid still persist in modern day South Africa to
the disappointment of the vast majority.”

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