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Cera-Jane Catton

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Cera-Jane Catton is a writer and journalist with years of experience in community newspapers, blogging and freelance journalism. She has worked in a cache of capacities, often finding herself behind or in front of the cameras, intentionally and less so. She has been a stunt double in two Bollywood movies, has worked in various capacities on a number of natural history documentaries, and other international productions shot in South Africa. Cera is a former Screen Africa journalist.

80th anniversary of world’s first continual TV broadcast

On this day, 2 November 1936, the BBC launched the nation’s first regular TV service from Alexandra Palace. Apart from WWII when its transmitters were used to help defend against bomb attacks by jamming signals. Alexandra Palace was the main location for the BBC’s television broadcasts until the 1950s. The single channel, regular television service continued until it was joined by another channel in 1964, then taking on the names BBC One and BBC Two.

Since those days, picture quality has continually improved, programmes are now much better produced and television now reaches a global audience of millions on every continent. However, we are now in a similar period of fundamental change as when the first programmes moved from radio to television with the advent of then-new technologies. For the first time, audiences viewing programmes over the internet are starting to reach similar levels to those viewing on televisions in living rooms, while new technologies like 4k and HDR are set to revolutionise the quality and realism of programmes in homes and cinemas. We should take a note from the pioneering spirit of the BBC in 1936 and make sure we are delivering the wonder of these new innovations to the next generation of viewers around the world.

FCB Africa celebrates its Pendoring metal

FCB Africa is celebrating its 2016 Pendoring Awards wins with three of its agencies adding metal to their trophy cabinets this weekend (Friday 28 October 2016).

Only nine gold Pendorings were awarded on the night, along with 37 silvers: eight golds to the professional agencies and one to students, and 29 silvers to agencies and eight to students.

FCB Joburg took one of the gold awards for a newspaper campaign in Afrikaans for Toyota Hilux’tjie and added six silver trophies to its haul, making it the most awarded agency in terms of silver.

Here its wins included several in the newspaper advertising category – NetFlorist A War of Words (Afrikaans and Sotho), Toyota Bad Parts (Afrikaans and Zulu) and Lexus Multi Terrain Directions (Zulu); a silver in the online and mobile advertising/social media & email marketing category for Toyota Rampartytjie; and two craft silvers – one for writing and one for music & sound design for NetFlorist A War of Words (Afrikaans and Sotho).

FCB 1886 and FCB Cape Town also took silver in the newspaper advertising category – FCB 1886 for Cell C’s campaign Lugtyd-oordrag (Afrikaans) and FCB Cape Town for BMW Motorrad (Afrikaans) while FCB 1866 two craft silvers – both for writing – for Cell C Lugtyd-oordrag (Afrikaans) and Lexus Stiller Kajuit.

This latest haul comes after a sterling performance at the 2016 Loerie Awards, especially for FCB Cape Town and Hellocomputer whose Testi-monials campaign for Cancer South Africa notched up a total of six awards including three golds, two silvers and one bronze.

FCB Africa also claimed the Robyn Putter Award for the third consecutive year at the 18th annual Sunday Times Top Brands awards function – making its fifth Robyn Putter Award in total – with 32 points. The agencies placing second and third achieved 18 and 17 points respectively.

“It’s been a very satisfying year for FCB, both creatively and on the new business front,’ said group CEO and chief creative officer, Brett Morris.

“Finishing the year with a solid outing at Pendoring is the cherry of the top of an exciting year, and highlights our ability to engage with consumers in their mother tongue, which makes for more likeable and memorable work for our clients. Well done, all.’

Havas JHB creative director rises as custodian of young creative talent

Tumi Sethebe has recently been appointed as creative director for Havas Johannesburg, he seeks to change the status quo in Africa’s advertising industry.

Disturbed by how the industry functions with regards to it conventional processes, this dynamic advertising professional looks to pay it forward to those who lack the skills, but have the talent. Although important, he feels that education shouldn’t be a limiting factor when it comes advancing ones career path.

“For an industry that’s supposed to be out of the box, the processes are highly rigid and one dimensional. In order to tell authentic stories that are creatively brilliant, an authentic approach needs to be taken, and sometimes that requires bringing in the guy that sells airtime at the traffic lights to a brainstorm,’ he says.

Sethebe goes on to say he feels that the industry is not reflective of modern South African society for a couple of reasons, one of which is legacy.

“There’s a great opportunity for us as an industry to create a space for would-be creatives, who are previously disadvantaged, to come into this space not for philanthropy but because I believe they have a lot to add. The great thing about the youth of today is that the say what they think, they aren’t jaded and therefore they can change the status quo while creating amazing work. They are the ones who will keep advertising relevant,’ concludes Sethebe.

Sharing Sethebe’s sentiments is CEO of Havas Southern Africa, Lynn Madeley.

“If we don’t invest in people, we simply won’t have an industry. We’re excited to have Tumi on board and look forward to his game-changing approach to the industry,’ says Madeley.

Sethebe’s list of awards include four Loeries, three Pendorings, one Cannes and one London International Award.

IPO at DISCOP Africa

The independent Producers Organisation (IPO) through the support of DISCOP, Joburg Film Festival (JFF) and Gauteng Film Commission (GFC) will from 2 to 4 November 2016 participate at DISCOP Africa.

Launched in 2009, DISCOP Africa is an audiovisual content distribution, programming, and coproduction market that targets free and pay television services operators from 47 Sub-Saharan African countries.

For the duration of the market, the Independent Producers Organisation, represented by its Chairperson Akin Omotoso and Executive members will engage both stakeholders and producers through sessions that entail one-on-one meetings, workshops as well as open mic sessions.

“We are thrilled to be part of this event that promises to grow the industry even further through its immense opportunities offered to African producers. Collaboration is one of the key elements to reaching the success we envisage in the transformation of the industry, representation, protection and promotion of the interests and needs of our member producers. We are therefore grateful of the partnerships we have built with DISCOP, Joburg Film Festival as well as Gauteng Film Commission in ensuring that our objectives are realised,’ says Akin Omotoso IPO chairperson.

The IPO’s first event will take place on the 2nd of November with IPO Deputy Chairperson Bongiwe Selane presenting on the “Women in Film & Television’ Session. The session, aimed at providing insights on issues affecting women producers working in a male- dominated environment will be held at the Main Theatre. This will be followed by Akin Omotoso’s sessions titled “JFF Open Mic with Akin Omotoso’ which takes place later on the day at 16:00 and on 3rd November from 16:00 until 17:00. JFF Open Mic with Akin Omotoso has been scheduled to take place at the Sandton Convention Centre.

The IPO continues to endeavour towards a positive change in the industry through its representation of producers, and various stakeholder engagements. Through its monthly sessions “IPO Presents’, the organisation is succeeding in leading dialogues that would guarantee that producers, particularly black producers triumph in becoming accomplished film and television business owners. The organisation recently held a successful conference that was aimed at mapping the way forward on issues regarding policy, strategy and transformation.

For more information visit the Independent Producers Organisation website.

DISCOP pre-registration up by 15 per cent

Organisers of DISCOP Johannesburg announced a 15 per cent year-to-year increase in the number of pre-registered delegates at its upcoming event, which takes place from 2 to 4 November 2016.

More than 2 000 buyers, sellers and producers of film and television content are expected to descend on Johannesburg for meetings, screenings, talks, workshops, pitching competitions and other engagements that will drive millions of dollars worth of deals across Sub-Saharan Africa. The event’s expanded floor plan is set to also welcome close to 250+ global and regional sellers of feature films, television content, adaptation rights and packaged channels.

“Over 10 000 hours of prime programming at affordable prices will be offered across a floor plan that is now 100 per cent sold out,’ confirmed Patrick Zuchowicki, founder of the DISCOP markets, adding, “DISCOP Johannesburg is praised for the diverse, high-quality programming showcased, all suited to Africa’s multicultural audiences who are fast embracing digital entertainment, binge watching and social media, and we’re expecting this to be another hugely successful edition for all participants.’

The 2017 edition of DISCOP will honour the USA as its Guest Country and is expected to welcome 500+ acquisition, programming and commissioning executives representing Sub-Saharan Africa’s key broadcasters and content distribution platforms.

For more information visit the DISCOP website.

ZIFF announces new festival director

As the Zanzibar International Film Festival prepares for its 20th annual edition, the board of directors officially announced the appointment of a new Festival Director. Fabrizoi Colombo will follow in the footsteps of Dr. Martin Mhando who stepped down in 2016 after nearly 10 years at the helm. The ZIFF Board of Directors has officially confirmed that Fabrizio Colombo will take over as ZIFF Festival Director from November 2016 and will be responsible for overseeing the festival as it enters into its third decade.

Fabrizio is no stranger to ZIFF or Zanzibar, having played a critical role in ZIFF for the past five years as Assistant Festival Director. Fabrizio’s passion for cinema, and particularly African cinema, has developed over many decade’s worth of development and media work across Europe and Africa.

Fabrizio has worked across various media platforms since the 1980’s with a particular focus on training and development within the sector. In addition to his work at ZIFF, Fabrizio was the Acting Director of the African Film Festival of Verona from 2006-2012, and also held the position of Programmer and Artistic Director at the KIKAKA African Film Festival in Florence Italy for a number of years. Fabrizio Colombo is director of the of office of the world association for media SIGNIS in Rome.

Fabrizio has an extensive knowledge of, and an unmatched passion for, African cinema and over the past few years at ZIFF he has become an invaluable resource in terms of his organizational skills, programming ability, as well as for his communication and management skills.

Former ZIFF Festival Director, Dr. Martin Mhando has this to say of his replacement, “ZIFF could not have found a better replacement for the position of Festival Director. Fabrizio’s knowledge of world cinema, his flare for the arts, his experience in festival management and in the ZIFF festival ethos, makes him the natural successor. ZIFF is in very capable and safe hands.’

Fabrizio has committed to putting film at the centre of next year’s festival that will celebrate the theme, Finding Joy, Kusikaa Furaha. With Fabrizio officially leading the way to 2017, supported by a full team of dedicated staff, major announcements will be coming soon in regards to film submissions and programming.

The ZIFF board of directors thank Dr. Martin Mhando for his many years of devoted and committed service, and welcome Fabrizio into his role going forward.

For more information visit the ZIFF website.

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twitter @ZIFF_2016
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Last chance to register for the Four Points Film Project

The 48 Hour team have seen what you can do in 48 hours–just imagine what you’ll be able to do in 72. Register for the global online competition, the Four Points Film Project, and make your short film in the 72 hour period of this 11 to 14 November 2016 for a shot at filmmaking awards, cash, and even a chance to screen at Filmapalooza and Cannes.
Entries close on Friday 11 November.

Filmmakers from all over the world will compete to see who can make the best short film in only three days. The 4PFP is an online contest which follows the same basic idea of the 48HFP – write, produce, and edit a short film in just a weekend using an assigned genre and three elements which are announced via email at the start of the weekend.

The 4PFP films are all judged by a panel of film professionals, and the top 4PFP film will be awarded $3 000 USD and screen at both Filmapalooza 2017 and the Cannes Film Festival 2017, Court Metrage. Additionally the top 15 films will be made available online where the general public will vote for the winner of Audience Favorite, who will recieve $1 000 USD and also screen at Filmapalooza 2017.
Make a Film in THREE Days.

The Four Points Film Project competition weekend begins at 7:00 PM your local time on November 11, 2016 and concludes on November 14. That gives your team 77 hours to write, shoot, edit, score and submit your short film. You will be assigned two random genres and you must shoot your film using either, or both, of the genres. Each time zone will be assigned its own set of elements – character, prop and line of dialogue. All films will be submitted online and instructions will be provided to your team upon registration.

For more information visit the 48 Hour Film Project website.

Icflix now on Xbox One

Icflix, the streaming and VOD platform from the Middle East Northern Africa (MENA), is now available on the home video game console, Xbox One. Users in the MENA will be eligible for a free subscription for one month by upgrading their account.
Carlos Tibi, the founder and CEO of Icflix, commented upon the new development: “We are thrilled to announce this partnership with one of the world’s leading gaming and entertainment platforms, which will give Xbox owners in MENA, fast and easy access to Icflix’s growing library of Jazwood, Hollywood and Bollywood content’.
Icflix, to recall, is available in three languages namely; Arabic, English and French. The new service is priced at 7.99 USD on a monthly basis.

Source: Next TV News

Zambia’s first musical feature film to be unveiled at DISCOP

Post-production work is nearing completion on the first African musical film to be produced in Zambia.
The film is set to be unveiled at DISCOP Africa, taking place between 2 and 4 November 2016 at the Sandton Convention Centre, where leading broadcast specialists will be meeting to find out about the latest talent and releases from across the continent.

The romantic drama, Damyna the Musical, weaves a story of family secrets and a witch doctor’s spells that conspire to confuse the life of an orphaned girl whose quest for love brings her traditional African village into conflict with the sophisticated world of international development agencies.

The film was shot on location in Zambia with local cast and crew directed by long-term local resident Peter Langmead and supported by renowned BBC lighting cameraman Denis Borrow (Superman, The Queen at 80, Richard Attenborough: A Life in Film, Piers Morgan On…, William & Kate: A Royal Engagement) as director of photography, with music director Joseph Muyunda and editor Kalenga Mwansa.

The lead role of Damyna is played by Josephine Kachiza with Mubita Ling’ope as Por Phiri and Tom Chiponge as the witch doctor.
“Producing a musical that reflects the contrasts of African rural and urban life was a challenge that the whole cast took to their hearts,’ said Dr Langmead. “The production harnessed that energy to create a vibrant, light-hearted movie with a powerful sub-text that explores he changes facing African societies as they grapple with the dualities of global influence.’

The story is based on the operatic stage work written by Dr Langmead and premiered at the Lusaka Playhouse in 2014.

Damyna the Musical combines the tale of a rural romance with the subtext of his observation and exploration of African culture, bringing together 40 years of experience of working with rural communities across the continent, viewed with the perspective of an outsider who is equally at home in the worlds of international finance and fine art as in the countryside. In doing so, he communicates the vibrancy of life, chronicles the aspirations of ordinary people and portrays a long overdue positive image of African life.

Where women have no choice or voice, Damyna the Musical reflects on philandering men who neglect and deny their children, resulting in unschooled orphans and second class citizens, often without identity. Secondary themes are belief in witch doctors, mixed race relationships, human “ownership’, adoption issues and responsibilities, and ill-advised donor activity. The film explores the inherent dualities of wealth and poverty, rural and urban spaces, multiculturalism and the educated and uneducated, along with concepts of racism, feminism, inequality, sexism and colonialism.

While completing Damyna the Musical, Peter Langmead is working on the script of his second film Borderline (working title), which is expected to be a musical, produced in Zambia, for release in late 2017.

SPT networks announce winner of the Picture This! Festival

Sony Pictures Television Networks announced the grand prize winner of the Picture This! Festival for the Environment, a shorts competition that aims to highlight stories of hope and success in maintaining and preserving the environment. The announcement was made at the culmination of an all-day event held on the Sony Pictures Studios Lot. LATIDOS, a film by Lucia Martinez from Iberia, was named the winner from a group of finalists from seven different countries.

LATIDOS is a short film that focuses on small, everyday choices that people can make to lead to a more environmentally sustainable world. Each tip is called a “Latidos’ or a “heartbeat.’ Martinez applied her exceptional design skills to create the animated short.

“When we created this festival we hoped to find someone who could bring their story of a sustainable world to life,’ said president of worldwide networks for SPT, Andy Kaplan. “We felt that LATIDOS really embodied the hopeful and proactive message of the Picture This! campaign. We believe it will motivate others to make simple, everyday choices to improve our environment. This festival was a very exciting next step in the Picture This! effort to help people around the globe picture a better world.’

The event included a screening of the seven shorts which were then judged by a panel composed of Andy Kaplan, Kim Rozenfeld, EVP of current programming for SPT, Nancy Tate, EVP of worldwide creative content publicity, Simon Mainwaring, branding consultant and Maurizio Vitale, SVP of networks marketing.

Finalists in each territory were chosen by a regional board of experts and dignitaries from their respective countries. Each was selected for the power of their storytelling and their embodiment of the Picture This! campaign.

The grand-prize winner was awarded $5 000 and a Sony 4K package that includes a 55’’ 4K TV and a Sony Alpha a6300 mirrorless camera.

Below are the additional finalists and their respective countries:

• Alexander Kuchaev, Russia regional finalist
• Alfred Matshebelele, South Africa regional finalist
• Carina-Maria Toma, Central Europe regional finalist
• Grant Fergus, United Kingdom regional finalist
• Jose Santiago Aguirre, Latin America regional finalist
• Lien Anh Ho, Asia regional finalist

For more information visit the Sony Pictures Television website.

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