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Cera-Jane Catton

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Cera-Jane Catton is a writer and journalist with years of experience in community newspapers, blogging and freelance journalism. She has worked in a cache of capacities, often finding herself behind or in front of the cameras, intentionally and less so. She has been a stunt double in two Bollywood movies, has worked in various capacities on a number of natural history documentaries, and other international productions shot in South Africa. Cera is a former Screen Africa journalist.

SABC reports R411m net loss

Reported on News24, the SABC announced a R411m net loss for the 2015/2016 financial year on Thursday, 29 September 2016, a slightly bigger loss than the previous year’s.

“I know some expected the losses to be in the billions. I am sorry to disappoint,” acting chief executive officer James Aguma told reporters. In the 2014/2015 financial year it reported a R395m loss. Aguma attributed the current loss to the SABC having to cover events of national importance, including former president Nelson Mandela’s funeral and the Rio Olympics.

Covering Mandela’s funeral cost a “handsome sum of money.” Reporting on such events provided a huge social return on investment but a negative financial return.
Other factors contributing to the loss included the growth in post-retirement service costs, the impact of tax adjustments arising from previous years and that the SABC got less than three per cent of its funding from government.

Aguma said the broadcaster’s annual salary increases had been above the norm. It used private sector wage increases as its benchmark. “We are a very good employer,” Aguma said.

The auditor general gave the SABC’s financial statements a disclaimer in 2013. In the years since then the financials have improved to a qualification. In the current year the SABC had a qualification relating to irregular, fruitless and wasteful expenditure.

Source: News24

ONAIR’s latest technology transmitter saves energy

ONAIR Medya, a Turkish company operating in FM Radio Broadcasting Sector since 1996, talks about saving money by replacing the old type Mosfet FM Transmitter with ONAIR LDMOS FM transmitter.

The latest transmitter gets 4Kw power from 4pcs LDMOS transistor. The 4kw ONAIR LDMOS FM transmitter (FTC4K) has the same dimensions as the old 1kw mosfet transmitter but is four times higher RF power than 1kw transmitter. Efficiency of the old 1kw mosfet transmitters was just around 70 per cent it produces more heat in result for users to consume high energy consumption, but FTC4K has 78 per cent efficiency at 4KW RF power. It means, less heating, less energy consumption, less complicated and a more reliable design.

ONAIR 4kw FTC4K FM transmitter is designed to provide more reliable FM transmitters using the extremely rugged LDMOS power transistors for the FM broadcast market. It has a built-in RDS programmable from the front keys of the exciter or via RS232 connecting a computer. Since it gives massive importance to low energy consumption, it has GPIO switch that runs air-conditioner when the room temperature or humidity reaches the limit value. This automatism of 4kw FTC4K let users conserve energy. It has an alarm function and interlock contact to stop the transmitter etc. It keeps event logs that can be printed via a printer. Optionally, it can be added GSM modem to control and monitor all parameters via internet and listen to audio input of the transmitter.

“’We reduced the cost of the transmitters using the latest technology. All our transmitters have built-in RDS encoder and DDS modulator. Our new DDS modulator has L&R MPX, AES/EBU and IP Audio inputs and if current audio supply is off, modulator connects the audio inputs to the others automatically. Not just we reduces the operating cost of radio stations and ownership cost using LDMOS but also we protect the environment 10 per cent more. We follow the RF technology very close and sell the latest technology with better and lower prices. So, we advise to replace the old transmitters with our LDMOS transmitters to save money.”’ said by ONAIR CEO Lutfi Aysan.

For more information visit the ONAIR Medya website.

Ncam awarded for Outstanding Achievement in Engineering Development

Ncam announced that its real-time camera tracking technology for augmented reality (AR) has been honoured with an Emmy Award for Outstanding Achievement in Engineering Development by the Television Academy (primetime).

Relied upon by leading broadcasters, including CNN, ESPN, Fox Sports, MLB, NFL, The Weather Channel and BT Sports, Ncam is able to integrate live action and computer-generated elements in the studio or on location more convincingly than ever before in order to provide a more immersive experience for television viewers.

“It’s a tremendous feeling to be put forward for such an accolade – we’ve come a long way since we began delivering commercial applications in 2012,’ said Nic Hatch, CEO, Ncam. “The fact that our technology is trusted by so many organisations to enhance critical live broadcasting of sports, news, weather and major events, speaks volumes – I couldn’t be prouder of our brilliant team who endeavour to make our business and the work of our clients such a great success’.

Presented for engineering developments so significant an improvement on existing methods or so innovative in nature, that they materially affect the transmission, recording or reception of television, the Engineering Emmys are overseen by the Television Academy’s Engineering Emmy Awards Committee, currently chaired by Wendy Aylsworth, senior vice president of Technology for Warner Bros. Award recipients are selected by a jury of television engineers.

“In order to integrate live action and computer-generated elements convincingly, the graphics have to stay precisely in place: any movement against the real elements instantly breaks the illusion,’ Hatch explains.

Ncam’s approach to camera tracking technology allows for the real-time integration of live action and computer generated elements. The positional tracking system utilises a pair of high speed witness cameras, along with a number of mechanical sensors to create a 3D image of the environment. The Ncam system instantly identifies a large number of points of high contrast in the scene, and from this builds a 3D map of the environment using a mathematical model. As the camera moves, its position can be tracked, never losing its absolutely precise reference.
This precise positional data is fed to a real-time graphics engine with virtually no latency. There is no need to incorporate physical markers into the studio, the set, or outdoor space and there is no time lost in set-up or when moving from one area to another.

The Ncam system works with any kind of camera, including handheld, steadicam, cranes and dollies. This allows productions to convincingly integrate augmented reality graphics into their broadcast shows.
Ncam technology is routinely used by Fox Sports for Monday Night Football. Zac Fields of Fox Sports said “AR is a very effective way to enhance your broadcast. The realism will only get better, and this is where I think we will see it move to the next level in the future.’

At The Weather Channel, Ncam enables the use of AR graphics to explain weather phenomena. “We’re bringing the outside into the studio,’ said Jeremy Jones, director of television products at The Weather Channel. “If we want to explain a tornado, for example, we’ll have an actual tornado come to life in the studio. The presenter will walk around and explain the dynamics of a tornado.’

In London, BT Sport covers the UEFA Champions’ League football competition and many other premium sports. It makes extensive use of AR in its studio to explain gameplays and even take its audience on a virtual journey across Europe to the stadium. The AR graphics are closely interwoven with real objects and screens in the studio, and can be seen by three cameras on different mounts.
The Technical and Engineering Emmy Awards will be presented to Ncam at an award ceremony and reception on Wednesday, 26 October 26 2016 at the Loews Hollywood Hotel, in Los Angeles.

For more information visit the Ncam website.

Noem My Skollie is SA’s official entry to the 2017 Academy Awards

The special jury convened by the National Film and Video Foundation (NFVF) announced that the feature film, Noem My Skollie, currently on circuit in South African cinemas, has been nominated as SA’s official selection to the 89th Annual Academy Awards (Oscars) in the category for Best Foreign Language Film Award. The NFVF CEO Zama Mkosi said: “We are proud that after a rigorous judging process, Noem My Skollie, is nominated as the official selection for the 89th Annual Academy Awards…”

Competition this year for the coveted nomination to represent South Africa was intense. This is a remarkable achievement for Daryne Joshua’s first feature film. The producers, David Max Brown and Moshidi Motshegwa and their partners who supported the financing of the film at the NFVF, kykNET, M-Net and the distributor Ster Kinekor Entertainment, are thrilled with this news and are proud that the film achieved the accolade.

To date the film has been seen by more than 32 000 people in South Africa. “Noem My Skollie’s great box office performance has now been crowned with the nomination as South Africa’s entry into the Oscars, we are extremely proud to have been part of getting this amazing film on to SA screens and are excited about the continued potential in our market and on the global stage,’ says Mario Dos Santos, chief executive officer – Ster Kinekor Entertainment.

“Noem My Skollie has been a project close to our hearts and M-Net and kykNET are incredibly proud of every single person who has brought this authentic South African story to life,’ says Jan du Plessis, director: M-Net Channels. “What makes it even more special, is that this moving film is the work of a first time director and that the story is rooted in the true-life experiences of the screenwriter. It’s a film the world needs to see.’

“The sheer amount of love Skollie is receiving by audiences around the country continues to surprise us. We are overwhelmed by the honour of representing our country. Is met ‘n salute ja!” says director Daryne Joshua.
‘The greatest affirmation an artist can get is from their own tribe. We are ecstatic to have this affirmation!’ says producer Motshegwa.

Watch the trailer here:

shnit International Shortfilmfestival returns to CT

shnit International Shorfilmfestival presents a short film experience. In its seventh year in South Africa, it returns to The Labia Theatre, in Cape Town. With additional events and screenings stretching to the furthest limits of the greater city, including The City Bowl Market, Waterkant Studios, Pepper Club Cinema, Truth Coffee and the Cape Town Club.

shnit announced an acclaimed South African jury, including Sean Metelerkamp, Zethu Dlomo, David Kau. This year, 13 films compete in the Made In South Africa category, with an additional 13 South African films screening out of competition.
Now in shnit”s fourteenth global year, 58 films from all around the world compete in the International Competition, which will award five films with the coveted Flaming Faun award in both jury and audience categories. Over 250 films will screen in total, in and out of competition, across the eight host cities: Bangkok, Bern, Buenos Aires, Cairo, Cape Town, Hong Kong, Moscow and San Jose.

shnit 2016 kicks off on Wednesday 5 October with a gala event at the City Bowl Market Building, and screens for five days at The Labia Theatre on Orange St in Cape Town, with highlight screenings at the Cinema Club on First Thursdays, Truth Coffee and Guga’sithebe Community Centre in Langa. For the first time shnit will be collaborating with the Black Filmmakers Film Festival, with a special screening at the Labia over the festival weekend. Another first is shnit’s showcase of the best kids films in the world at the new Waterkant Studios on Loop Street. Returning for a second year is A pretty $#i+ shnit night, where filmmakers (or anyone for that matter) can create the worst films they can for a night of hilarity and boos.

For the second year, the Elements Short Film Lab will run concurrently to the festival, offering filmmakers a chance to learn and expand their horizons through panel discussions, roundtables and networking events. Sunday 9 October sees shnit sign off for another year with a closing awards ceremony at the Cape Town Club, also featuring the premiere of the Real Time competition films. shnit is made possible in Cape Town by the support of the National Film and Video Foundation

Tickets are available through Webtickets.
Opening Night R70
Guga S`thebe Community Centre Screening R20
Labia and Truth Coffee shows R45
Long and Short – Kids Screening R70
Closing Night R120
Festival Passes (Weekend access) R280
Tickets for the Elements Short Film lab R300


Click for film and scheduling information
on the Shnit website.

Global pay-TV subs up four million in Q2

The October issue of the informitv Multiscreen Index of 100 leading pay-TV service providers worldwide shows an increase of four million subscribers, up by 0.95 per cent over the second quarter of 2016. The Americas region had its first quarterly subscriber loss, which was offset by gains in Asia Pacific, boosted by continuing growth in India.

• 25 of the 100 services in the Multiscreen Index reported net television subscriber losses in the second quarter, while 66 reported year on year gains.
• The top ten services in the US collectively lost 663 000 television subscribers in the quarter and were down by 437 100 year on year.
• Across the Americas there was a net decline of 0.29 million subscribers, which is the first regional loss in the Multiscreen Index.
• Services in the Europe, Middle East and Africa region gained 0.83 million subscribers, with the top ten gaining just 125 000 between them.
• The Asia Pacific region gained 3.46 million subscribers, with the top ten services adding 2.76 million, led by six operators in India claiming collective gains of over two million.

“The Multiscreen Index shows that over 12 months the top ten services in the Asia Pacific region claimed gains of 13.76 million television subscribers, which is an 18 per cent increase,’ said informitv analyst Sue Farrell.

“More services are gaining rather than losing subscribers,’ added William Cooper, the editor of the informitv Multiscreen Index. “Even in the United States, the year on year loss across the top ten services is less than half a per cent of their combined subscriber base.’

Source: Advance Television

BBC experiments with holographic TVs

The BBC has continued to experiment with emerging broadcast technologies after creating a holographic TV device for future audiences.

The “low-fi and low-cost’ device was designed to analyse how the corporation could deliver augmented (AR) and mixed reality content in the coming years.

“Our experiment was fairly simplistic, but the new technologies on the horizon have the potential to completely change the way that audiences experience media content in the future,’ said BBC head of digital partnerships Cyrus Saihan.

“You can imagine a world where instead of watching a film star being interviewed on the sofa of a TV chat show, they feel as if they are sitting right next to you on your own sofa in your living room, or where instead of looking at a 2D image of Mount Everest, it appears as if the snow on the mountain top is falling around you.’

According to Saihan, mobile game Pokemon GO is only “the tip of the iceberg’ when it comes to augmented reality, with major companies investing in various immersive mediums such as AR and VR.

“If devices such as Microsoft’s HoloLens and the Google-backed Magic Leap also capture the public’s imagination, we could soon find ourselves in a situation where the lines between digital content and the real world become increasingly blurred,’ he said.

Source: TVB Europe

2016 International Emmy® Awards nominees span 15 countries

Nominations for the 2016 International Emmy® Awards were announced on 26 September 2016, by the International Academy of Television Arts and Sciences. There are 40 Nominees across ten categories and 15 countries. Winners will be announced at a black-tie Ceremony on 21 November 2016 at the Hilton New York Hotel.

Nominees come from: Argentina, Brazil, Canada, Colombia, France, Germany, Japan, Philippines, Singapore, South Africa, South Korea, Sweden, United Kingdom, United Arab Emirates and the United States.

“The International Emmy competition is the pinnacle for recognizing excellence in television around the world,” said Bruce L. Paisner, president and CEO of the International Academy of Television Arts and Sciences. “We congratulate the 2016 Nominees and welcome them to our global stage.”

In addition to the presentation of the International Emmy® Awards for programming and performances, the Academy will present two special awards. Shonda Rhimes, the writer, executive producer and creator behind Grey’s Anatomy, Scandal, How to Get Away with Murder and The Catch will receive the International Emmy Founders Award. Maria Rørbye Rønn, the chief executive officer and director general of Danish Broadcasting Corporation, which pioneered and drove the success of Nordic Noir drama around the world will receive the International Emmy Directorate Award.

2016 Semi-Final judging hosts were: Aetios, Fabienne Larouche & Michel Trudeau (Mont-Tremblant, Canada), Armoza Formats, Avi Armoza (Tel Aviv, Israel), Beijing CTV Splendid, Cheng Xiong (Changzhou, China), Broadview TV, Leopold Hoesch (Cologne, Germany),Cisneros Media, Marcello Coltro (Miami, USA),Cyber Group Studios, Pierre Sissmann (Paris, France), DR TV, Piv Bernth (Copenhagen, Denmark), FFP New Media, Michael Smeaton (Berlin, Germany), Fox Networks Group Latin America, Edgar Spielmann (Mexico City, Mexico), Fuji Television, Hisashi Hieda (Tokyo, Japan), Globo TV, Carlos Henrique Schroder (Rio de Janeiro, Brazil & New York, USA), Graf Filmproduktion, Klaus Graf (Berlin, Germany), Havas Productions, Raphael de Andreis & Yann Le Prado (Paris, France), HBO Latin America Group, Jonathan Baker (Miami, USA), KBS, Dae-Young Ko (Seoul, South Korea), MTVA – Hungarian Public Service Media, Zsuzsanna Kalomista (Budapest, Hungary), NFVF – National Film and Video Foundation, Zama Mkosi (Johannesburg, South Africa), ORF, Beatrice Cox-Riesenfelder (Vienna, Austria), Pyramedia, Nashwa Al Ruwaini (Abu Dhabi, UAE), Quebecomm, Sylvain Parent-Bedard (Montreal, Canada), Shanghai Croton Media, Benjamin Li (Shanghai, China), Sonae FS, Andre Sampaio (Lisbon, Portugal),The Story Lab, Erik de Winter (Amsterdam, The Netherlands),TV France International, Herve Michel (Biarritz, France), Wowow, Nobuya Wazaki (Tokyo, Japan), YLE, Liselott Forsman (Helsinki, Finland), Ziegler Films, Regina & Tanja Ziegler (Berlin, Germany).

For more information and the full list of nominees visit the International Emmy® Awards website.

Groundglass granted funding for SA prison gang feature

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Groundglass announced that the National Film and Video Foundation SA awarded them funding, following the release of the short film Numbers, to develop a full feature on the life of notorious 28s gang member, Turner Adams.

In August 2016 Groundglass released Numbers, a short which gives a previously unseen insight into the unique and violent gang culture of South Africa’s prisons. The film was co-directed by South African tattoo artist, Manuela Gray and is shot entirely in black and white, with commentary from Turner Adams. In a rare appearance, Adams open up to the camera to explain the vital significances and codes intrinsic to the hand-etched tattoos which adorn the prisoners’ skin. Commissioned by Sailor Jerry’s for a two month residency at London’s Sanctum Soho Hotel, the secrets of the gangs known as the 26s, 27s and 28s are revealed through the hand-etched language of the inmates intricate tattoos.

Founder and executive producer at Groundglass, Janette De Villiers comments: “We’re so thrilled to be able to develop this project in to a full feature. Numbers has been getting so much interest that we are currently also talking to NGO’s here about building a community centre in Lavender Hill and making the entire project part of a rehabilitation programme in the Cape Flats.’

For De Villiers and Gray, the collaboration with Adams had come about as a surprise. After interviewing him for Numbers, they unlocked an intriguing story of cultural and social struggle, endurance, violence and reformation.

“At first Turner was not interested in talking to us at all,’ explains Janette “Eventually we went to his house in Lavender Hill in desperation and we were petrified to say the least. But within ten minutes of meeting him we’d completely forgotten who we were speaking to, and were so taken with his intellect, intuition and insight into human behaviour its now hard for us to look at him as a convicted criminal.’

Since releasing Numbers, Groundglass have been working on a series, developing two more shorts which cover the 26 and 27 gangs extensively. The feature film on Turner Adams is now in development and is planned for release in 2017.

For more information visit the Groundglass website.

TV Lighting Workshop

DWR Distribution is hosting a three-day Introduction Beginners TV Lighting Workshop presented by Angus Clarke from 11 to 13 October 2016.

Angus was fortunate enough to be involved in many firsts in the new SA TV Industry in the 1970s. He lit the first Live Studio Sport Transmission, as well as the 1st Live Newscasts. He was also responsible for the lighting design on the first major TV Musical and Children’s Productions as well as Shakespearean and other period Dramas and Ballet Productions.

He has designed the lighting setups for major productions such as Deal or no Deal, Idols SA, World Cup Special for SuperSport amongst many others. He is a consultant to the TV industry and assists in numerous Lighting installations and training projects.

Topics to be covered include:

A Lighting Overview
Television Terminology
Theory of Lighting
Introduction to TV Lighting
Lighting Equipment
Luminaire Construction
Basics of 3 – Point Ltg
Examination of the Light Meter
Why are Planning Meetings important
Studio Safety
And more….

The venue is at DWR Distribution Johannesburg:
Kimbult Industrial Park, 9 Zeiss Road, Laserpark, Honeydew.

The cost is R2250 per person. Call (011) 794 5023 or email rsvp@dwrdistribution.co.za to book.

For more information visit the DWR website.

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