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Carly Barnes

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Oscar-nominated shorts screen at The Bioscope in Johannesburg

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From 15 February, the Bioscope Independent Cinema in Johannesburg will be screening a number of international short films which have been nominated for Academy Awards in the Live Action category. The five nominated movies range from light comedy to provoking drama.

Do I Have to Take Care of Everything?

This seven-minute comedy from Finland is about a mother, determined to take care of everything on her own, who tries to organise her family before a wedding for which they are running late.

View the trailer.

Helium

Helium is a 23-minute long Danish film about a young boy dying in a hospital. He is told stories by an eccentric janitor, which helps him escape his situation and find happiness.

View the trailer.

Just Before Losing Everything

A woman and her children flee an abusive husband in this 30-minute long French film.

View the trailer.

That Wasn’t Me

A 24-minute movie about a Spanish aid worker who attempts to rescue a young soldier when he is taken hostage in Sierra Leone.

View the trailer.

The Voorman Problem

This 13-minute UK film features a doctor who must determine the sanity of a prisoner who believes he is a god.

View the trailer.

Visit: The Bioscope Website for more information.

Canon announces a new entry-level digital single-lens reflex camera

A new digital single-lens reflex camera, the Canon EOS 1200D, caters to first-time owners by offering a helpful app, easy-to-use controls and automatic shooting modes.

Detailed Images

The camera is able to take colourful, high-quality stills using an 18.0 MP APS-C CMOS sensor and Canon’s DIGIC 4 processor. A 9-point AF system ensures that no matter what you are shooting, the scene is captured in striking, detailed quality. The Scene Intelligent Auto mode adds to a convenient experience, ensuring the right settings are used every time.

Full HD movie recording

Users are able to control exposure, focus and sound levels while shooting full HD video at 1080p and are able to achieve a professionally edited feel by recording a series of short video clips, which are automatically joined together by setting the camera to Video Snapshot mode.

Adding atmosphere

A choice of five filters can be applied either before or after a shot is taken to dramatically enhance the mood or perspective of the picture. These include Miniature effect, Fish-eye and Toy camera.

User-friendly

A number of features make the EOS 1200D easy and natural to use. A bright optical viewfinder helps frame shots; large and intuitively-placed controls assist in quickly understanding different settings; and a sharp 460k-dot resolution LCD allows the user to review stills and movies immediately after capture.

The camera is also the first model to launch with an EOS Companion app for mobile devices, which offers helpful tips and tutorials.

Visit the Canon website for more information.

iPhone 5s debuts on the runway

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Apple has produced a 30-second commercial showing the iPhone 5s filming Burberry’s Spring/Summer range at London Fashion Week, which took place in September 2013 before the phone had been publicly released.

The advert features the high-end video capabilities of the new model, demonstrating smooth pan and tilt shots with the phone attached to complicated tripods and overhead camera mounts as well as slow-motion camera effects. It also showcases the use of different filters and lighting which can achieve interesting effects.

Burberry CEO Angela Ahrendts is set to fill the position of Senior Vice President of retail and online Apple stores later this year.

Another initiative by Apple to highlight the capabilities of its products was compiling an 88-second film using 70 hours of footage shot in one day, in various countries around the world. The result was a narrative put together by 21 editors, which shows different people around the world using Macintosh computers, in celebration of the brand’s 30-year-milestone.

Visit: http://www.youtube.com/watch?v=iKcBNbRSdyI to view the commercial.

Hollywood stars go make-up free for Vanity Fair

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In celebration of Vanity Fair Magazine’s 20th Hollywood issue, American painter and photographer Chuck Close has captured 20 Hollywood celebrities, without make-up.
Stars such as Brad Pitt, Oprah Winfrey, Scarlett Johansson, Sean Penn, George Clooney, Kate Winslet, Bruce Willis, Julia Roberts and Forest Whitaker participated in the collection of “raw’ photographs.

Close insisted that the shoot be informal and that his subjects not be professionally styled, along with a number of requirements:

• Three hours of availability for the shoot
• Only one additional person would be invited to attend the shoot with the subject
• Coffee and deli sandwiches or salads would be the extent of the catering provided
• The subject would need to arrange their own transport to and from the shoot

Visit: www.vanityfair.com for more information.

Rwandan youth debate ICT sector via YouthConnekt Hangout

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Creating mobile application technologies which address socio-economic problems was the latest topic debated on a live bi-monthly YouTube programme, YouthConnekt Hangout, which aims to include the youth of Rwanda in advancing the country’s socio-economic status.

YouthConnekt Hangout uses Google hangout technology and social media platforms to connect youth to various role models, resources and expertise while exposing them to entrepreneurship and employment opportunities. The initiative was awarded first prize at the 2013 United Nations Development Programme Regional Bureau for Africa Innovation Fair in South Africa.

Introduced by the Ministry of Youth and Information and Communications Technology (ICT) in Rwanda, YouthConnekt Hangout joins youth representatives, government, development partners, the private sector and civil society to generate solutions and opportunities for their respective communities.

Minister Nsengimana believes developing mobile technology is crucial in building the ICT sector in Rwanda, which is currently an agriculture-based economy.

Students from the University of Rwanda/Huye and The Institute of Agriculture, Technology and Education of Kibungo in Ngoma District; members of kLab, an open technology development hub in Kigal; as well as other young ICT innovators in Kigali and the Ministry of Youth and ICT headquarters took part in the most recent discussion.

On Tuesday 11 February at 16h00, YouthConnekt Hangout will feature discussions of a competition which requires participants to generate community mobile application technologies.

Visit: http://www.youtube.com/watch?v=gdbEZYMRkjQ to watch the previous Hangout.

New Nollywood film premieres in Nigeria

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Brother’s Keeper, a Nollywood movie starring Omoni Oboli, Majid Michel, Beverly Naya, Barbara Soki and Moyo Lawal premiered at the Victoria Island Silverbird Cinema in Lagos, Nigeria.

The film has done well on the international festival circuit and attained a number of awards.

Actress Omoni Oboli won the award for Best Actress in a Leading Role (English) at the Best of Nollywood Awards in Nigeria in December 2013; Tobe Oboli won the award for Best Child Performance and Majid Michael took the honours for Best Actor at the African Film Festival and Academy Awards in London in November 2013.

A thriller with themes of deceit, betrayal, passion and crime, Brother’s Keeper tells the story of a man whose twin brother and son are murdered. Tensions increase when his wife begins to suspect that he is having an affair with his dead brother’s widow.

Visit: Brother’s Keeper Trailer to view the trailer.
Visit: Brother’s Keeper behind-the-scenes to view behind-the-scenes footage of the movie.

Reuben Riffel joins the MasterChef judging panel

M-Net confirmed today that Reuben Riffel will appear as a permanent judge on the third season of the broadcaster’s hit cooking series MasterChef South Africa. Riffel will join Benny Masekwameng and Pete Goffe-Wood, as his friend and fellow chef, Andrew Atkinson, hands the reins over to him.

Andrew, who was known for his ability to balance incredibly high culinary standards with a generous level of empathy towards contestants, was on the judging panel for Seasons 1 and 2 of the series. At the end of 2013 he received an offer to fill the full-time position of Executive Chef for a hotel chain in Johannesburg – an opportunity that he could not refuse. Andrew’s permanent responsibilities in his new role mean that he can no longer commit himself to the busy schedule of the filming of the series.

“MasterChef South Africa exposed me to a diverse variety of wonderful, talented cooks from all corners of our beautiful country,’ says Andrew. “Being on the show was an incredible experience, especially because I was flanked by two great colleagues, Pete and Benny. I can’t think of a better choice than Reuben to join them. We’ve been friends for many years and I have no doubt that he will do the role of MasterChef judge justice.’

Reuben Riffel began his career in the town where he was born – Franschhoek. He started off at the Monneaux restaurant, establishing it as one of the Top 10 restaurants in South Africa, before moving to Cambridge, UK. After racking up rave reviews abroad, he returned to his roots; his flagship restaurant, Reuben’s, currently finds its home in Franschhoek. In 2009, Riffel opened his second Reuben’s at a boutique country hotel in the Robertson wine valley, and shortly thereafter the third Reuben’s was opened at the V&A Waterfront in Cape Town. His awards list includes that of Chef of the Year and Restaurant of the Year in the Eat Out awards of 2004, and Reuben’s in Franschhoek was ranked in South Africa’s Top 10 restaurants for three consecutive years. In addition to his successful restaurant portfolio, Reuben has also published 3 best-selling cookbooks.

Says Riffel: “Ever since the first season of MasterChef, my family and I have been big fans. Everyone was so proud of me when I appeared on the show as a guest in Season 1 and I was lucky to spend some time with the contestants. Their enthusiasm and eagerness made me realise how privileged I am to be working in this industry. I’m excited to join my good friends Pete and Benny in the kitchen, and hope to make a positive contribution to the show. I wish Andrew all the best of luck with his new venture as I’m sure there will be many people that will miss his presence in the series.’

Auditions for Season 3 of MasterChef SA are right around the corner. Amateur cooks who want to impress the new judging panel with their unique culinary skills need to diarise these dates, according to their preferred audition city:

• Saturday, 15 February in Durban at Suncoast Casino, or
• Saturday, 22 February in Cape Town at Southern Sun The Cullinan, or
• Saturday, 1 March in Johannesburg at The Pivot Conference Centre (at Southern Sun Montecasino).

As was the case in the past two seasons, the open auditions for MasterChef South Africa require a pre-prepared cold dish. However, the process for subsequent audition rounds has been tweaked slightly. For everything one needs to know about MasterChef South Africa Season 3 auditions this year, visit: http://masterchefsa.dstv.com/2014/01/15/masterchef-sa-season-3-faqs. The competition is open only to South African citizens over the age of 18, who have not cooked professionally before.

New CEO plans to position FPB as a global leader

SCREEN AFRICA EXCLUSIVE: On Thursday 6 February the Film and Publication Board (FPB) of South Africa announced the appointment of Themba Wakashe as its new Chief Executive Officer at a stakeholder’s lunch in Johannesburg.

Opening the programme, first name Mrs. NTF Mpumlwana, Chairperson of the FPB Council, reflected on a busy 2014 marking 20 years of democracy in South Africa, a reminder of the values of the South African Constitution which promotes freedom, responsibility and a non-racist, non-sexist society.

Mpumlwana assured stakeholders that the FPB would continue to work with vigilance with the aim of: “We inform, you choose’ and highlighted some of the challenges that Wakashe will have to face in his new role as CEO.

“The challenges we face include holding the legacy of being called the censor board. When we make correct decisions we are seen as the FPB, when people don’t agree with our decisions, we are the censor board,’ said Mpumlwana. She continued, stating the FPB was dealing with a number of issues including cyberbullying, gender-based online violence, woman and children trafficking and child pornography.

In introducing Wakashe, Mpumlwana stated that the FPB was confident they had found the correct person to tackle such issues and that Wakashe would bring a wealth of valuable experience in arts and culture.

As well as previously holding the title of Director General for the Department of Arts and Culture, Wakashe has 14 years of experience in the public sector. A long list of achievements and contributions include his participation in a number of democratic processes, drafting legislation for the National Film and Video Foundation (NFVF) and serving in various research capacities and academia.

Addressing the audience, Wakashe dispelled perceptions by the South African public, which view the FPB as a conservative and introspective organisation.
“We are not a censorship institution and we will never be. We live in a democratic state and we protect human rights,’ said Wakashe.

He pledged that he would build on and enhance the FPB’s existing framework and relationships, saying: “I want to ensure you, that the FPB will be internationally respected and a leader among classifiers of the world. I promise to do that. I’ve got a good network within the continent and we must leverage this.’

He also commented that the South African information and communication technology (ICT) sector was an industry that needed to be invested in and that within the next few weeks he would be meeting with the Director General of Home Affairs to work towards making this objective a reality.

“When people look at the FPB, they will find an organisation that is leading, analytical, knowledgeable and a trendsetter, not only in South Africa, but the world. They will appreciate that we are creative, innovative and receptive in the world of the arts. In order to achieve this, we must invest in the minds of the staff at FPB. Those are the people that can take this roadmap and implement it,’ said Wakashe.

He concluded: “With the leadership of the board and the relationships we are creating and maintaining, we will be able to do this. We will not be opportunists in this space. We will be humble, not arrogant, but you will feel our presence.’

Report by Carly Barnes

Media storage moves to the cloud

International broadcasters and media professionals such as Fox and BBC are
looking to advancing cloud technologies as a way to conveniently and efficiently
address storage issues, in the air.

While cloud-based broadcast workflows are already being implemented to
accelerate, upload, consume and deliver media, the potential for storage
utilisation in this already established global digital network is being investigated
by a number of organisations.

Prime Focus Technologies in Bangalore, India, recently launched True Nort, a
digital media cloud-based operation which includes a digital lab for cinema, a
production centre for television and potential storage possibilities for studio and
on location storage requirements. The project is planned to serve as a digital
support structure for over 200 television channels.

Mark Overington is president of Aframe in North America, a company which offers
substantial cloud solutions and storage options, and believes that this
technology could reduce the need for on-premise storage devices and
equipment.

“In many cases, [a videographer] may shoot and then automatically make a
back-up copy, which in effect, doubles your storage requirements right there. To
be able to shoot and put it up to Aframe, we’re now you’re back-up,’ remarks
Overington.

4k technology continues to search for higher storage solutions, as equipment
becomes advanced and mobile enough to use in the field. Players in the industry
such as AJA Video, Blackmagic Design, Sony and Sonnet continue to develop
products which can address this need.

Designed to handle lens-to-post workflow for 4K projects, AJA Video’s Ki Pro
Quad has both file-based recording and playback capability.

Blackmagic Design’s HyperDeck Shuttle 2 is a portable field recorder for live
production switchers offering ProRes, DNxHD or uncompressed recording direct
to SSDs with 10-bit video quality.

The new line of 256 GB solid-state drives and two hard disk models from Sony
address high-speed data transfer requirements in the field which allow users to
transfer about 30 GB of video to an SDD drive in less than 90 seconds.

The Sonnet Fusion F3, intended for on-location work, features a 6TB, two-drive
hardware RAID storage system with a half-RU-wide enclosure with front-panel
controls.

SABC GCEO steps down

After much rumour and media speculation, the South African Broadcasting Corporation (SABC) has announced that Lulama Mokhobo, the current group chief executive officer (GCEO) of the public broadcaster, is resigning from her post. She will vacate her position at the end of February.

The reason for Mokhobo’s departure is as yet unclear, but the SABC has stated that it was an amicable split. Zandile Tshabalala, the SABC board chairperson said, “On behalf of the board I would like to thank Ms Mokhobo for her positive contribution to the organisation over the past 24 months. The SABC would like to wish Ms. Mokhobo well in all her future endeavours.’

The minister of Communications, Yunus Carrim, after confirming that his office had been informed that the GCEO’s departure was mutually agreed between herself and the board, went on to say that his department is concerned about the public broadcaster’s stability and urged that the vacant post be filled quickly.

Word of the imminence of Mokhobo’s resignation first broke last week after a tweet by the Broadcasting, Electronic Media and Allied Workers Union, saying that she had already tendered her notice. According to TechCentral, there were numerous reports that Mokhobo had found her authority undermined on several occasions and that the senior power structure of the broadcaster had divided into two camps, with the CEO on one side and the group chief operating officer Hlaudi Motsoeneng on the other. Mokhobo may therefore have quit her post as she found it untenable.

Mokhobo had been appointed in 2012 by the former communications minister Dina Pule. The SABC’s official statement on the subject indicates that the company will recruit a replacement as soon as possible and will keep the public informed on developments in this regard.

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