Home Authors Posts by Carly Barnes

Carly Barnes

608 POSTS 0 JOBS

OTT viewers have low tolerance for poor streaming

Conviva, specialists in Over the Top (OTT) video experience optimisation for media companies, has released the findings of its inaugural report, which found that stream interruptions, inadequate picture fidelity and other poor streaming experience issues prompt nearly three-quarters of all OTT video viewers to give up in the first four minutes of playback. The report, “How Consumers Judge their Viewing Experience’ reveals the steep challenges OTT service providers, Internet Service Providers (ISPs) and Content Delivery Networks (CDNs) face in today’s shifting broadcast consumption landscape.

Conviva conducted the survey in early 2015, interviewing 750 consumers that fell within the key demographic of OTT viewers ages 26 to 34. To download the full report, visit the Conviva website.

Hui Zhang, CEO of Conviva commented, “As content consumption moves away from the traditional TV-based model, broadcasters need to ensure their online platforms deliver a seamless experience regardless of the device used. Conviva helps the world’s top providers maximise video experiences and optimise engagement through metrics, analytics and pre-emptive optimisation, which not only alert them to potential issues, but also avert those issues in real time during playback.’

Key findings of the survey include:
Viewers report low tolerance for poor video experience: Only 25 percent of respondents would engage with video content for more than four minutes of an inferior viewing experience.
Attachment to specific OTT services vacillates: One in three viewers leaves to find content elsewhere as soon as playback degradations occur and 40 percent reported reduced affinity for a service after one bad experience.
Poor experiences on one device impact viewing across devices: Fewer than 16 percent of consumers would try watching on another device after a sub-par experience on their first attempted device.
Consumers multiple parties are to blame: Viewers assign blame for poor experiences almost equally to the OTT service they are using, their ISP, and CDNs delivering the content.

Swedish Radio installs Dalet News Suite

Sveriges Radio AB/Swedish Radio (SR), the national radio broadcaster of Sweden, is to base its newsroom computer system (NRCS) on Dalet News Suite powered by the Dalet Galaxy platform. The large-scale NRCS project for 1,700 users is spread over 25 geographical locations in Sweden and replaces the corporation’s existing ENPS system.

Deployed on a virtual infrastructure, a single, centralised Dalet Galaxy platform will facilitate the expansive multi-site installation. Dalet Galaxy provides a completely open, integrated and extensible base on which to implement new workflows at scale. It can accommodate anything from additional users to new social media feeds and makes any such business decisions cost-effective to introduce.

The installation features Dalet NRCS story-centric tools and Dalet On-the-Go, a mobile application designed to keep field journalists fully connected to the newsroom. In addition, the Dalet installation provides tools to track, analyse and summarise information about the topics, geographical areas and demographics of people and subjects covered in its stories. Facilitating this is Dalet’s reporting tool and Dalet’s story-centric data model, which will enable staff to monitor the content they produce according to a certain number of angles such as spoken language, gender and more over time.

Sveriges Radio is Sweden’s national publicly funded radio broadcaster. It produces and broadcasts more than 115,000 hours of programming every year and has an average daily audience of four million people. It is a decentralised media company comprising 25 local channels, a large number of editorial offices and a wide network of foreign correspondents around the world.

Best Achievement in Cinematography – TV Drama – SAFTAs 2015

Category: Best Achievement in Cinematography – TV Drama

Winner: Soul City: Tom Marais

Nominees:
– Ngempela: Adam Dentil
– Donkerland: Adam Bentel
– End Game: Jonathan De La Querra

Best Factual /Educational programme – SAFTAs 2015

Category: Best Factual /Educational programme

Winner: Think Big: The Bomb Shelter

Nominees:
– Step up to a start up: Endemol South Africa
– Hello Doctor TV Show: Hello Doctor
– S’Movana: Lucky Bean Media/Rise Up Productions

Best Magazine programme – SAFTAs 2015

Category: Best Magazine programme

Winner: Mooiloop!: Blue Marble Entertainment

Nominees:
– 50|50: Clive Morris Productions
– Movers & Shakers: Vusion Media

Best Reality Show – SAFTAs 2015

Category: Best Reality show

Winner: Ultimate Braai Master: The road less travelled; Cooked in Africa

Nominees:
– Kabelo Boot Camp: Connect Channel
– I Want to Sing Gospel: Eclipse TV

Best Achievement in Editing – TV Drama – SAFTAs 2015

Category: Best Achievement in Editing – TV Drama

Winner: End Game: Editing Team

Nominees:
– Geraamtes in die Kas: Nick Costaras
– 90 Plein Street: Tanya Hagen, Sharron Hawkes
– Donkerland: Ula Oelsen

Four Corners wins Best Film at the 2015 SAFTAs

SCREEN AFRICA EXCLUSIVE: The second evening of the South African Film and
Television Awards, presented by the National Film and Video Foundation, took place
at Gallagher Estate on Sunday 22 March where South Africa’s most talented
filmmakers and performers took home Golden Horn trophies for their outstanding
work over the last year. Four Corners received top honours, winning
the Best Film award – its third accolade of the night. The film also earned young
actor Jezriel Skei the award for Best Actor and Brendon Daniels the award for Best
Supporting Actor. The Bomb Shelter’s Isibaya and ZANews:
Puppet Nation
, produced by Both Worlds, carried on their winning streak
from Friday night’s event with a further two awards each, including Best Director in
each of their television categories.

Accepting the Lifetime Achievement Award for 2015 was Marius Weyers, an industry
veteran who got his breakout role in The Gods Must Be Crazy.
The Best Director award in the Feature Film category was given to Donovan Marsh
for his film iNumber Number, while John Trengove, Jozua Malherbe
and Denny Miller took the Best Directing award in the TV Drama category for
Swartwater.

Here is the full list of winners:

Best Supporting Actor – TV Comedy
Warren Masemola as “Thokozani’ in Ses’Top la II

Best Supporting Actress – TV Comedy
Brenda Ngxoli as “Pinky’ in Ses’Top la II

Best Actor in a Lead Role – TV Comedy
Thomas Gumede as “Zanele’ in Single Guys

Best Actress in a Lead Role – TV Comedy
Mary Mhlongo as “MaKhambule’ in Skwizas

Best Achievement in Directing – TV Comedy
ZANews: Puppet Nation – Thierry Cassuto, Alex Fynn

Best TV Comedy
ZANews: Puppet Nation – Both Worlds

Lifetime Achievement Award
Marius Weyers

Best Supporting Actor – TV Drama
Fezile Mpela as “Zwide’ in Donkerland

Best Supporting Actress – TV Drama
Brenda Ngxoli as “Gladys’ in Rockville

Best Actor in a Lead Role – TV Drama
Louw Venter as “Francois Le Roux’ in Swartwater

Best Actress in a Lead Role – TV Drama
Nthati Moshesh as “Dibuseng Makwarela’ in Thola

Best Achievement in Directing – TV Drama
Swartwater – John Trengove, Jozua Malherbe, Denny Miller

Best TV Drama
Swartwater – Quizzical Pictures

Best Supporting Actor – TV Soap
Justin Strydom as “AK’ in Isidingo

Best Supporting Actress – TV Soap
Marjorie Lange as “Gloria’ in Scandal

Best Actress in a Lead Role – TV Soap
Masasa Mbangeni as “Thembeka’ in Scandal

Best Actor in a Lead Role – TV Soap
Jamie Bartlett as “David Genaro’ in Rhythm City

Best Achievement in Directing – TV Soap
Isibaya – Adze Ugah, John Berker, Denny Miller, Alex Yazbek, Phiwe
Mkhanzi, Tebogo Malope

Best TV Soap
Isibaya – The Bomb Shelter

Best TV Presenter
Katlego Maboe – Expresso Morning Show

Best Supporting Actor – Feature Film
Brendon Daniels as “Farakhan’ in Four Corners

Best Supporting Actress – Feature Film
Marga Van Rooy as “Tannie Marietjie’ in Die Windpomp

Best Actress in a Lead Role – Feature Film
Thishiwe Ziqubu as “Skiets’ in Hard to Get

Best Actor in a Lead Role – Feature Film
Jezriel Skei as “Ricardo’ in Four Corners

Best Achievement in Directing – Feature Film
iNumber Number – Donovan Marsh

Best Feature Film
Four Corners – Giant Films & Moonlighting Films

TV-Film selects Ikegami cameras for OB truck

TV-Film, a Vienna-based company specialising in providing mobile television production services, outside broadcast vehicles and related equipment, has purchased Ikegami HDK-970A and HDK-97A cameras for its Ü6 OB truck. The sale was negotiated by Ikegami’s Austrian dealer, Avisys Electronics GmbH, which is also located in Vienna.

“TV-Film’s technical director, Thomas Volkl, chose the HDK-970A cameras to meet expanding demand for high-definition broadcast production,” comments Avisys CEO Keigo Yoneda. “Each camera was purchased complete with a CCU and 3G optical fibre transmission adapter. TV-Film has used Ikegami cameras very successfully for over 20 years and already owns four HDK-97A portable cameras, each of which is equipped with a digital triax system.”

Top of Ikegami’s Unicam HD line, the HDK-970A is a full digital 3G-HD-SDI 59.94/50 Hz studio/EFP camera system with advanced 16-bit digital signal processing. Increased dark-area graduation ensures natural colour reproduction across the full luminance range. Other features include operator-adjustable gamma curve, lens aberration correction and support for a wide range of HDTV formats including 1080i 119.88/100 Hz (optionally). Single and dual link outputs are available via Ikegami CCU-970 and BS-97 camera control units and base stations.

TVLogic launches new displays at NAB

TVLogic, designer and manufacturer of LCD and OLED high definition displays, is launching 12 new display models at NAB 2015 to address the increasing demands of broadcast, production, post-production, digital signage and multi-viewer applications. NAB runs from 11 to 16 April in Las Vegas.

Included in the line-up are a 31.1′ 4K monitor, a 17′ broadcast model, a new studio wall monitor series comprised of six sizes from 17′ to 55′, and a rack monitor range offering four configurations. The new displays will be on exhibit in Booth C 7533 at NAB, and introduced to the press at a briefing in the booth on 13 April at 11h00.

LUM-310A Ultra High-Definition Monitor

TVLogic’s latest 4K 31.1′ monitor features 4096 x 2160 resolution with a high contrast ratio of 1450:1, and supports 4-SDI and 4-HDMI inputs as well as a HDMI 1-channel input. The LUM-310A provides wide colour gamut up to DCI, true 10bit, includes 3D LUT support for precise colour reproduction, 2-sample interleave division, HD 1:1 or full-screen upscaling function and TVLogic’s own colour calibration utility support.

LVM-170A Broadcast Monitor

Building on their LVM broadcast monitor series, TVLogic will debut the LVM-170A 17.3′ full HD model with 1920 x 1080 resolution. Designed for multiple applications, the display features three analogue SDI inputs and outputs, two SDI inputs and one SDI output (SD, HD, 3G-SDI), plus an HDMI and DVI input. The LVM-170A includes wide viewing angle and standard Rec. 709 colour gamut, and TVLogic’s own colour calibration utility support.

Studio Wall Monitor Series

Ranging in sizes from 17.3′ to 55′ (SWM-170A, SWM-240A, SWM-320A, SWM-420A, SWM-460A, SWM-550A), TVLogic’s new Studio Wall Monitor series provides the broadcast market with six highly accurate and versatile models, featuring Rec.709 colour gamut, wide viewing angles, support for two SDI inputs and outputs, plus one HDMI and one DVI, OSD buttons on the side and an optional SFP optical module. These new SWM series monitors are fully compatible with free “Observer’ software for remote control and management. As with all TVLogic monitors, colour calibration utility support is included.

Rack Monitor Series

Configurations run the gamut in TVLogic’s new Rack Monitor series to suit any monitoring application. Choose from two 7′ or 9′ units; three 5.6′; or four 3.4′. All feature 16.7M colour depth and appropriate resolution levels and contrast ratio to maximise quality for each size.

- Advertisement -
- Advertisement -
- Advertisement -

Pin It on Pinterest