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Carly Barnes

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2015 SAFTAs judging chairpersons announced

The National Film and Video Foundation (NFVF) and the South African Film and Television Awards (SAFTAs) committee have announced that Jerry Mofokeng and Roberta Durrant are the two judging chairpersons for the 9th annual SAFTAs, taking place from 19 to 21 March 2015. Their role will be to oversee the judging process and clarify any queries which judges may have.

Mofokeng, newly-appointed artistic director of the Performing Arts Centre of the Free State (PACOFS) is well-known for his roles in films like Cry, The Beloved Country and Tsotsi. At the 2012 SAFTAs he was awarded a Lifetime Achievement Award in recognition of a career which started at the Soweto community theatre during the 1970s.

Mofokeng studied drama at Wits Drama School as well as Columbia University in America, where he obtained his Masters Degree in Theatre Directing while on a Fulbright scholarship. His expertise has seen him occupy various roles within the performing community in South Africa including associate artistic director at The Johannesburg Civic Theatre, chief director of the Mpumalanga Department of Sports and Culture, and artistic director of The State Theatre in Pretoria.

Durant has created and directed/produced several long running, award winning local TV drama series and sitcoms including Madam & Eve, SOS and Stokvel. She is also known in the industry for training and mentoring many aspiring writers, directors, editors and producers. She graduated from Stellenbosch University with a BA degree in Drama and for the first ten years of her career acted and directed in theatre and film. In 1977 she worked with Stephen Berkoff in London at the Young Vic Theatre and she also directed Don Juan and Pieter Dirk Uys’ Paradise is Closing Down and at The Edinburgh Festival.

Durrant has produced three feature films and directed Felix which won 16 International awards, including a Jury award at the Toronto Kids International Film Festival and the award for Best Director at the Pan African Film Festival in 2014. In 2012 she received a Lifetime Achievement Award from the NFVF for her contribution to the film and television industry. She is also the South African Ambassador to the International Academy of Television Arts and Sciences.

Crowdfunding aims to fund film about the women behind Marikana

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Mama Marikana initially began as Aliki Saragas’s Documentary Arts masters project at the University of Cape Town, but soon progressed into a developing feature film with the support of talented filmmakers. The project now has a crowd-funding campaign on Thundafund where members of the public can contribute to its completion.

The documentary explores the narrative of the women of Marikana: the widows, mothers, sisters and community members who were left to pick up the pieces after miners were gunned down by the South African Police Service at Lonmin mine in 2012. The documentary follows five Marikana women and a community who is attempting to move from a state of oppression to empowerment. The five featured women are: Primrose Nokulunga Sonti and Thumeka Magwangqana, leaders in Sikhala Sonke the Marikana Women’s group; Evelyn Seipati Mmeka a religious mother in the community; and Zameka Nungu, widow of the murdered Jackson “Ace’ Lehopa.

Sonti commented, “We are still crying because there is no solution. There is no change; we are still crying and we will cry.’

According to the campaign posted on Thundafund those working on the production commented, “For the team, this film not only represents an opportunity for us to give voice to the women of Marikana, but also gives us hope that we may have the opportunity to change their lives through our film. To say that Mama Marikana is a passion project is an understatement.’

The crew working on the film includes: director and producer Aliki Saragas; producer Tessa Scott; DOP Andreas Georghiou; sound recordist Ying-poi De Lacy and additional cameraman Jared Hoskyn Paisley.

Saragas can be contacted at aliki.saragas@gmail.com and Scott at tessa.k.scott@gmail.com.

Visit the Mama Marikana website for more information.

EbonyLife TV launches in Southern African countries

EbonyLife TV, Africa’s first global black entertainment and lifestyle network, has now launched in Southern Africa. Previously only available to DStv customers in 44 countries in West, East and Central Africa, the channel will be available on DStv channel 165 to DStv Compact, Extra and Premium customers from 10 September 2014.

Since its launch in July 2013, EbonyLife TV has grown to become one of the most prominent platforms for premium entertainment with Afrocentric perspectives. With over 1000 hours of original and inspiring African programming from a variety of genres – including reality, talk shows, drama, entertainment, food, politics, music, news, lifestyle, and comedy shows, EbonyLife TV is aimed at youth aged 18 to 34 who want to engage with real African content that speaks to their shared values.

Executive chairman and CEO of EbonyLife TV, Mo Abudu said: “We’re extremely excited about EbonyLife TV’s extension into the Southern African and South African markets, barely a year after our launch. This expansion is due to our success in the rest of Africa. We’re proud of the fact that we are a 100% homegrown.’

Aletta Alberts, GM for content for MultiChoice commented: “EbonyLife TV is the perfect example of how entertaining local content can travel across the continent. I’m sure our DStv Compact, Extra and Premium customers will enjoy the wide variety of entertainment on this channel – there really is something for every member of the family. This is Africa at its best.’

ALi presents satellite and terrestrial solutions at AfricaCom

ALi Corporation, a set-top-box (STB) chipset solution provider, will showcase a series of solutions specially tailored for African countries at AfricaCast 2014.

A number of African countries are racing against time to prepare for the migration from analogue to digital broadcasting, as the 2015 deadline for the switch-off approaches. According to Digital TV Research, digital penetration will soon exceed half the TV households in Sub-Saharan Africa and the region will add 20 million TV households between 2013 and 2020 to reach 68 million.

ALi has prepared a full spectrum of DVB STB chipset solutions to specifically answer to the needs of African markets. These solutions include an S2 and T2 combo platform for pay-TV operators with which viewers will be able to receive both satellite and terrestrial programming. In addition, ALi also provides an individual DVB-S2 platform with value-added features such as multi-screen applications.

There are also DVB-T2 SoC solutions available for both pay-TV and FTA that support the MHEG-5 profile selected by South Africa.

“ALi is very swift in adapting to different market needs,’ said Tony Chang, general manager of ALi’s Broadcast and Broadband Media Business Unit. “One of the challenges that African countries are facing in keeping up with the ASO schedule is a supply of suitable STB solutions to assist the governments expedite the transition and increase public acceptance of digitalisation. ALi provides a combination of tailored solutions delivering reliable performance and compelling costs that will help accelerate digital migration in Africa.’

ALi’s STB chipset solution line-up for Africa will be demonstrated at Booth No. 4 at AfricaCast 2014 from 11 to 13 November in Cape Town.

Nigerian animated children’s show grows international fan base

Created by Nigerian animator Adamu Waziri, and produced by his Nigerian based animation company EVCL, Bino and Fino is an African educational cartoon about a brother and sister who live in a city in sub- Saharan Africa.

Now in its second season, the show celebrates the diversity of the African continent and allows African parents and those of Caribbean and African descent to experience a diverse cultural representation on television.

In each episode Bino and Fino, with the help of their friend Zeena, the Magic Butterfly and their family, discover and learn things about the world. Aimed at children between the ages of three and six years, the series shows aspects of African history, culture and languages and educates children from all backgrounds.

The pilot episode of Bino and Fino was released in 2010 and has been well received internationally, with profiles on CNN and The Huffington Post.

A 24 minute TV feature of the show which is available on DVD has been broadcast on television in the UK and South Africa, on YouTube and at festivals to a growing fan base of kids and parents from around the world.

The full second season is currently under production in Nigeria by EVCL and is set to be released at the end of 2014.

AMC arrives in Africa

AMC Networks International, a leading international broadcaster and distributor of thirteen thematic television channels, has extended its footprint into Africa as part of a global rollout of the AMC channel. As a result, the MGM Channel will be rebranded as AMC from 1 December across sub-Saharan Africa.

Alongside the English language linear TV channel AMC will offer AMC VOD, and “TV Everywhere’ services to multiple devices. AMC will launch with platform partners DStv, StarSat, Zuku and Azam TV.

AMC is behind some of the most acclaimed and award-winning dramas in the US, including The Walking Dead, Mad Men and Breaking Bad. It will offer exclusive original series from AMC Studios, including the upcoming premiere of The Divide, a gritty legal thriller centred on a sensational murder case and Game of Arms, an unscripted series exploring the highly competitive world of American arm-wrestling. The channel will also feature acclaimed movies from some of the world’s biggest film libraries including the MGM library.

Louise Cottrell, VP, Affiliate Sales for AMC Networks International – Zone said, “AMC has made a name for itself as the purveyor of premium quality dramatic television in the US where it is watched in 98 million households. With the introduction of AMC to the African market, our aim is to satisfy the local audience’s growing appetite for high-quality international content including original series as well as a wide selection of popular Hollywood movies.’

The Divide premieres on 5 January at 20h00 CAT and Game of Arms premieres on 2 December at 20h00 CAT.

Entries open for Jameson First Shot 2015

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The Jameson First Shot film competition, in partnership with Kevin Spacey and Dana Brunetti of Trigger Street Productions, is seeking gifted and undiscovered filmmakers from around the world with compelling stories to tell to participate in its 2015 edition. The three talented winners will have a once-in-a-lifetime opportunity to have their scripts developed into short films, starring Adrien Brody in the lead role.

The winning shorts will be premiered in LA with the acclaimed team in attendance.

The Jameson First Shot competition offers filmmakers the opportunity to break into the industry. Knowing how difficult this can be, Kevin Spacey sees it as his duty to help young talent and says: “If you’ve been successful at the career you wanted to have, it’s your obligation to spend a good portion of your time sending the elevator back down.’

Dana Brunetti, a renowned producer who will be making the winners’ films with his experienced crew, concurs: “Any time you can open a path for people who actually have talent to demonstrate, it’s a wonderful thing. Hollywood doesn’t have a monopoly on talent’

Adrien Brody will play the lead in this year’s winning films. His own journey from unknown actor to Oscar-winner was far from easy, making him a natural match for the competition.

“Jameson First Shot affords talented writer/directors an important gift,’ says Brody, “the confidence to exercise fearlessness and the opportunity to materialise their dreams.’

Due to the overwhelming response to 2014’s competition; Jameson is expanding to give more unearthed talent the chance to enter their work. Entrants living in the UK, Ireland, India, Australia and Canada, in addition to SA, Russia and the US, are now eligible to enter.

The competition is open to entries from the 3 November and the rules, including length and theme, can be found at The Jameson First Shot film competition website.

DICOP Africa hosts Innovation Village

With a growing number of DISCOP delegates looking for innovative ways to monetise the content they produce and distribute, DISCOP Africa will for the first time host an Innovation Village.

Situated at 80/81/82/83 stands, the hub is home to seven highly innovative companies providing unique solutions for transport, enhancing digital video content, building second-screen applications, building profile viewers and measuring audiences.

Companies participating in The Innovation Village include:

Orange Horizons
Location: Innovation Village 07
An Orange Group subsidiary which seeks out new business opportunities in countries where Orange is not present as a mass market telecommunications provider. Depending on the country, these activities include local websites providing news and audiovisual content and/or on-line stores offering high tech and telecoms related equipment.

Mobile Accord / GeoPoll
Location: Innovation Village 04
GeoPoll’s Media Measurement Service provides unprecedented real-time data on TV and radio ratings, audience share, and audience size in several African markets. Data includes when and what individuals listened to and watched, with results delivered overnight, 365 days a year.

English Club TV
Location: Innovation Village 03
English Club TV is a British educational channel for English language learning that is well-known in 94 countries in Europe, Asia, Africa and the Middle East. Its programmes are developed with a help of professional methodologists, teachers and linguists.

The Kitchen
Location: Innovation Village 01
The Kitchen, the entertainment and production industry’s only Emmy Award-Winning language translation, dubbing and subtitling services and Earcandy, sub-Saharan Africa’s premiere language translation, dubbing and subtitling facility, have joined forces to provide the African production solution for the African market.

HTTV
Location: Innovation Village 06
HTTV is a leading software solutions provider for digital TV. It is based in France with an office in Singapore. The company develops software products for TV operators and set-top boxes to enable advanced Hybrid TV services such as: VOD, Catch-up TV, Live OTT, and Electronic Program Guides.

Clickboogie Media
Location: Innovation Village 05
Clickboogie is offering its African broadcast partners free Programming, such as It’s Africa’s Time Seasons 1 and 2, in addition to some of the best shows available from the global primetime market.

Wezwa
Location: Innovation Village 02
Wezwa is a social network that allows people to get extra content from their favourite shows, and to connect, post updates, and share their favourite content with friends.

NFVF call for funding submissions

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The National Film and Video Foundation (NFVF) is calling for submissions of applications for funding in the areas of training, marketing and distribution support, script development and production financing. The deadline date for applications in this quarter is 5 December 2014.

The following categories will be considered for production and development funding:
• Documentaries
• Features
• Short films
• Television concepts

The following categories will be considered for training applications:
• International bursaries
• Trevor Jones scholarship
• Training provider funding

The following marketing and distribution categories are applicable:
• Marketing and Distribution – which entails funding for print and advertising for independent DVD distribution.
• Film Festival – which provides financial support to individuals or organisations to host local film festivals.

All applications must be hand delivered or posted to the NFVF at 87 Central Street, Houghton, Johannesburg, 2198. No e-mail submissions will be accepted.

NB: View the funding criteria for all categories.

Download the applications form.

The NFVF will inform applicants of the outcome of the applications in March 2015.
Incomplete applications will not be considered. Applications received after the deadline will only be considered for the following quarterly meeting of council.

For any queries regarding development and production email Neiloe Whitehead on neiloek@nfvf.co.za or Lesiba Maile on lesibam@nfvf.co.za.

For any queries regarding training or bursaries email Pretty Mthiyane on prettym@nfvf.co.za.

For any queries regarding marketing and distribution email Lerato Mokopanele on leratom@nfvf.co.za.

Chaos Group releases rendering pipeline upgrade

Chaos Group has announced the release of V-Ray 3.0 for Maya, a substantial upgrade to their rendering pipeline which offers a new set of features and optimisations focused on speeding up lighting, look development, and rendering workflows.

Kirk Shintani, who heads 3D at a52, a visual effects studio in California, comments, “The “beta’ was stable and amazingly fast, and the staff reaction to 3.0 is summed up with one word, “Whoa.’ It’s that kind of fast. It allows us to stay focused on making cool imagery. That’s why we do what we do, isn’t it?”

Throughout the V-Ray 3.0 for Maya development cycle, Chaos Group worked with artists and studios to benchmark and analyse a number of production scenes. From their research, they found opportunities for significant speed increases as their team refined each section of code. These advances, coupled with beta feedback, bring about many of the key features in V-Ray 3.0 for Maya including:

Faster ray tracing and rendering performance: V-Ray 3.0 for Maya introduces a faster ray tracing core which significantly speeds up a number of calculations for global illumination, lighting, shading and more. For additional speed gains, V-Ray 3.0 also includes an option to enable the Intel Embree ray caster for static and motion-blurred geometry, proxy objects and instances.

Faster feedback: V-Ray 3.0 for Maya adds a new Progressive Image Sampler with a full range of production features and is compatible with all of V-Ray’s GI algorithms such as irradiance map, light cache, and brute force path tracing. The Progressive Image Sampler generates quick feedback even with complex features such as volumetric effects, depth of field, and motion blur. An enhanced V-Ray RT engine renders directly in the Maya Viewport and supports animated sequences as well as final frame rendering.

Advanced characters and creatures: V-Ray 3.0 optimises shading and rendering of millions of strands of semi-transparent hair with greater speed and efficiency. For added detail and realism, V-Ray 3.0 now supports subsurface scattering with object-based and ray traced illumination, and the new VRaySkinMtl skin shader.

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