Blade sharp

Together with its associate companies The Blade Works Postproduction Facilities in Johannesburg’s Stonewedge Office Park offers a broad spectrum of facilities and mainly services the commercials market...

First EditOne installed

Jackshoot, one of Europe's leading online broadcast service-providers, has taken delivery of the first Custom Consoles EditOne desk...

Power post-prod workflows for IBC TV News

Forbidden Technologies plc, the AIM-quoted owner and developer of the market-leading cloud video platform FORscene, announced that it will partner...

Generating DCPs in the Middle East

Gulf Film, a leading film distributor and exhibitor in the Middle East, has adopted CLIPSTER, DVS's flagship DI (digital intermediate) workstation...

Sony Creative Software launches new media production package

Sony has launched its newest media production package, Catalyst Production Suite™...

House of Cards finishing touches done with FilmLight’s Baselight

House of Cards, a US political drama which features on Netflix, released its second season to subscribers in 4k Ultra HD...

The Refinery colourist Kyle Stroebel talks working on Universal’s Bulletproof 2

We caught up with Kyle Stroebel, colourist at The Refinery, to find out what his process was like working on Bulletproof 2

Restoration – done to perfection

Cape Town-based production house Gravel Road Entertainment Group has launched a new initiative aimed at restoring some all-but-forgotten South African films from the 1970s and 1980s to their former glory...

Autodesk releases Flame Family 2018.3

Autodesk recently released update 3 for its Flame 2018 family of 3D visual effects and finishing software, which includes Flame, Flare, Flame Assist and Lustre...

Post-production toolbox: essential new plug-ins and collaborations

At NAB, Avid and FilmLight announced a new collaboration that would combine the former’s Media Composer video editing suite with the latter’s BaseLight colour...
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