EditShare’s new QScan Automated Quality Control product line

QScan will make its debut at NAB 2018

Element’s post-production scales business on EditShare media asset management and tiered storage

Element drives business on EditShare’s Flow, AirFlow media asset management and Ark archiving solutions

Autodesk releases Flame Family 2018.3

Autodesk recently released update 3 for its Flame 2018 family of 3D visual effects and finishing software, which includes Flame, Flare, Flame Assist and Lustre...

L’espace Vision adds FilmLight grading and high-speed media server

Tokyo post house L’espace Vision is marking its 30th anniversary by adding a powerful grading suite from FilmLight...

Coke Studio Africa: The post-production beast

This reality music show is a brief that you take on with much consideration. Coke Studio Africa is Africa’s biggest music collaboration project to...

SDR and HDR–compatible workflows for live production

Customer feedback on 4K UHD tells us that more pixels alone will not satisfy market expectations for a next-generation broadcasting format. Having better pixels...

TECH-POP-OLOGY

To speak of technology as an advancement to many may seem obvious, however not everyone feels that way. Some people speak of the good...

The other format war

The introduction of HDR displays (HDR) is as big an advance, for the filmmaking and television industry, as the switch from black and white...

In conversation with Michael Crimp, CEO, IBC

IBC CEO Michael Crimp discusses the evolution of IBC, what to expect from this year’s event, hot technological trends, the value of trade shows...

Celebrating 50 years of IBC

Fifty years ago, a group of broadcast equipment manufacturers in London, decided to organise a unique exhibition – the first of its kind –...
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